Colonel Matterson reading from wrinkled scripture of that long yellow hand:
The flag is America. America is the plum. The peach. The watermelon. America is the gumdrop. The pumpkin seed. America is television.
Now, the cross is Mexico. Mexico is the walnut. The hazelnut. The acorn. Mexico is the rainbow. The rainbow is wooden. Mexico is wooden.
Now, the green sheep is Canada Canada is the fir tree. The wheat field. The calendar.
The night is the Pacific Ocean.
American novelist (1935–2001)
Kenneth Elton Kesey (17 September 1935 – 10 November 2001) was an American writer, most famous for his novel One Flew Over the Cuckoo's Nest and as a cultural icon whom some consider a link between the "beat generation" of the 1950s and the "hippies" of the 1960s as a founding member of the Merry Pranksters.
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To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket — spread to camouflage the worn-out Outside — confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!
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"The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying "Kleek! Kleek!" as though the thin reeds were as hot as the pokers they resembled."
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
When a man showed up you didn't want to look at his face and he didn't want to look at his face and he didn't want to look at yours, because it's painful to see somebody so clear that it's like looking inside him, but then neither did you want to to look away and lose him completely. You had a choice: you could either strain and look at things that appeared in front of you in the fog, painful as it may be, or you could relax and lose yourself.
Maybe he couldn't understand why we weren't able to laugh yet, but he knew you can't really be strong until you see a funny side to things. In fact, he worked so hard at pointing out the funny side of things that I was wondering a little if maybe he was blind to the other side, if maybe he wasn't able to see what it was that parched laughter deep inside your stomach. Maybe the guys weren't able to see it either, just feel the pressures of the different beams and frequencies coming from all directions, working to push and bend you one way or another, feel the Combine at work - but I was able to see it.
You’re just a young kid. What are you doin’ here? You oughta be out in a convertible, why… bird-doggin’ chicks and bangin’ beaver. What are ya doin’ here, for Christ’s sake? What’s funny about that? Jesus, I mean, you guys do nothin’ but complain about how you can’t stand it in this place here and then you haven’t got the guts just to walk out!
The same old rain, and, if not welcomed, at least accepted — an old gray aunt who came to visit every winter and stayed till spring. You learn to live with her. You learn to reconcile yourself to the little inconveniences and not get annoyed. You remember she is seldom angry or vicious and nothing to get in a stew about, and if she is a bore and stays overlong you can train yourself not to notice her, or at least not to stew about her.