The universe will never be extinguished because just when the darkness seems to have smothered all, to be truly transcendent, the new seeds of light are reborn in the very depths. That is the Way. When the seed falls, it falls into the earth, into the soil. And beneath, out of sight, it comes to life.

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...this is the essence of science fiction, the conceptual dislocation within the society is generated in the author's mind, transferred to paper, and from paper it occurs as a convulsive shock in the reader's mind, the shock of dysrecognition.

Do not assume that order and stability are always good, in a society or in a universe. The old, the ossified, must always give way to new life and the birth of new things. Before the new things can be born the old must perish. This is a dangerous realization, because it tells us that we must eventually part with much of what is familiar to us. And that hurts. But that is part of the script of life. Unless we can psychologically accommodate change, we ourselves begin to die, inwardly. What I am saying is that objects, customs, habits, and ways of life must perish so that the authentic human being can live. And it is the authentic human being who matters most, the viable, elastic organism which can bounce back, absorb, and deal with the new.

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John Isidore said, “I found a spider.”

The three androids glanced up, momentarily moving their attention from the TV screen to him.

“Let’s see it,” Pris said. She held out her hand.

Roy Baty said, “Don’t talk while Buster is on.”

“I’ve never seen a spider,” Pris said. She cupped the medicine bottle in her palms, surveying the creature within. “All those legs. Why’s it need so many legs, J. R.?”

“That’s the way spiders are,” Isidore said, his heart pounding; he had difficulty breathing. “Eight legs.”

Rising to her feet, Pris said, “You know what I think, J. R.? I think it doesn’t need all those legs.”

“Eight?” Irmgard Baty said. “Why couldn’t it get by on four? Cut four off and see.” Impulsively opening her purse, she produced a pair of clean, sharp cuticle scissors, which she passed to Pris.

A weird terror struck at J. R. Isidore.

Carrying the medicine bottle into the kitchen, Pris seated herself at J. R. Isidore’s breakfast table. She removed the lid from the bottle and dumped the spider out. “It probably won’t be able to run as fast,” she said, “but there’s nothing for it to catch around here anyhow. It’ll die anyway.” She reached for the scissors.

“Please,” Isidore said.

Pris glanced up inquiringly. “Is it worth something?”

“Don’t mutilate it,” he said wheezingly. Imploringly.

With the scissors, Pris snipped off one of the spider’s legs.

In the living room Buster Friendly on the TV screen said, “Take a look at this enlargement of a section of background. This is the sky you usually see. Wait, I’ll have Earl Parameter, head of my research staff, explain their virtually world-shaking discovery to you.”

Pris clipped off another leg, restraining the spider with the edge of her hand. She was smiling.

“Blowups of the video pictures,” a new voice from the TV said, “when subjected to rigorous laboratory scrutiny, reveal that the gray backdrop of sky and daytime moon against which Mercer moves is not only not Terran — it is artificial.”

“You’re missing it

"The Neanderthal probably thought the Cro-Magnon man had merely an improved line. A little more advanced ability to conjure up symbols and shape flint. From your description, this thing is more radical than a mere improvement." "This thing," Baines said slowly, "has an ability to predict. So far, it's been able to stay alive. It's been able to cope with situations better than you or I could. How long do you think we'd stay alive in that chamber, with energy beams blazing down at us? In a sense it's got the ultimate survival ability. If it can always be accurate —"

In wretched little lives like that, someone must intervene. Or at least mark their sad comings and goings. Mark and if possible permanently record so they'll be remembered. For a better day, later on, when people will understand.

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You know, the way I feel, if I read a science fiction book by a new writer which is a lot better than what I do, instead of going on a bummer right away and saying, “Oh Christ, I’m obsolete, I’m outdated, I’ve lost it.” I have this tremendous sense of joy. I don’t have to write all the great goddamn science fiction in the world. Somebody else is going to carry this torch. It’s such a relief to sit with my feet up on the wall and to know that if I never wrote another book science fiction is going ahead.