These unhappy agents found what had already been found in abundance on Earth—a nightmare of meaningless without end. The bounties of space, of infinite outwardness, were three: empty heroics, low comedy, and pointless death.
Outwardness lost, at last, its imagined attractions.
Only inwardness remained to be explored.
Only the human soul remained terra incognita.
This was the beginning of goodness and wisdom.

And as Paul said these things to himself, a wave of sadness washed over them as though they’d been written in sand. He was understanding now that no man could live without roots—roots in a patch of desert, a red clay field, a mountain slope, a rocky coast, a city street. In black loan, in mud or sand or rock or asphalt or carpet, every man had his roots down deep—in home.

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Love is where you find it. I think it is foolish to go around looking for it, and I think it can be poisonous. I wish that people who are conventionally supposed to love each other would say to each other, when they fight, 'Please — a little less love, and a little more common decency'.

This book is my fiftieth-birthday present to myself. I feel as though I am crossing the spine of a roof — having ascended one slope.
I am programmed at fifty to perform childishly — to insult “The Star-Spangled Banner,” to scrawl pictures of a Nazi flag and an asshole and a lot of other things with a felt-tipped pen. To give an idea of the maturity of my illustrations for this book, here is my picture of an asshole:

Dear Reader: The title of this book is composed of three words from my novel Cat's Cradle. A wampeter is an object around which the lives of many otherwise unrelated people may revolve. The Holy Grail would be a case in point. Foma are harmless untruths, intended to comfort simple souls. An example: "Prosperity is just around the corner." A granfalloon is a proud and meaningless association of human beings. Taken together, the words form as good an umbrella as any for this collection of some of the reviews and essays I've written, a few of the speeches I made.

I have become an enthusiast for the printed word again. I have to be that, I now understand, because I want to be a character in all of my works. I can do that in print. In a movie, somehow, the author always vanishes. Everything of mine which has been filmed so far has been one character short, and that character is me.