I think it’s a real danger, as an actor, when you try to make some statement through your career about what the business should be doing or ultimately what your image should be or how you want to be perceived. I look at every project that comes along and say, “Is this something I can sink my teeth into and can do a good job on?” That’s really how I choose roles.

The challenge is to understand the psyche of somebody like that. There is no true genius or revolutionary ideas, I don’t think, without some element of compulsiveness or madness or obsession, and that’s certainly indicative of Howard Hughes. Understanding his obsessive-compulsive disorder was really the key for me for opening up who this man was.

Certainly after Titanic, where my face was put on every magazine cover around the world and the movie was such a phenomenon, I really had no control over that. So for the last couple of years, media-wise I've been trying to regain some control in what people say about me.

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My mom and I lived at Hollywood and Western, a drug-dealer and prostitute corner. It was pretty terrifying. I got beat up a lot. I saw people have sex in the alleys. I remember I was five years old, and this guy with a trench coat, needles and crack cornered me. Early on, seeing the devastation on my block, seeing heroin addicts, made me think twice about ever getting involved in drugs. It's evil. Once you take that step and experiment, drugs can take over your life. You are not yourself anymore. That's something I never wanted. I didn't have a lot of friends growing up. It was kind of just me and my parents. But because of them, the neighborhood did not have a bad effect on me. My dad introduced me to artists, and every few months we'd go to some hippie doo-dah parade as Mudmen in our underwear, carrying sticks and covered in mud. My mother did everything to get me into the best schools she could find.

I remember the casting session that I had where I was a break dancer, having this punk hair cut. They rejected me and I became really disillusioned with the business and said well this is what it's all about, and I haven't even got in to read a line. He said don't worry, some day we're going to get you back into this and it's going to happen for you, which I kind of took to heart. It was one of those situations where I was lucky and fortunate enough to be at the right places at the right time. All of a sudden I was on the set of Growing Pains and got this audition for This Boy's Life and was able to jump into the feature film world. It's really been just simply the fact that I'd been able to work, you know what I mean? I would probably still be trying to be an actor even if I was out of work, but I would probably become a little disillusioned at some point and move on to other things. But it's the one thing that I know that I love.

"I was behind a woman at the checkout counter who was looking at the magazines. She turned to me and goes, 'There he is again, that Leonardo DiCaprio. Don't you wish he'd just disappear?' I said, this is the moment where I either go, 'Do you know who I am?' or put my hat further down, pay for my corn-nuts and get out of there....I choose to avoid that. (2005)