For a discussion of some of the contents of this significant cultural volume, see Adriana Craciun, ‘Fatal Women of Romanticism’, Cambridge University Press, 2004, page 204. The section ‘The Enchantress’ here begins by describing that first story as a ‘self-consciously Byronic text’ that ‘develops a Promethean, distinctly Luciferian model of poetic identity and self-creation’.
British poet and novelist (1802–1838)
Letitia Elizabeth Landon (August 14, 1802 – October 15, 1838) was an English poet and novelist, better known by her initials L. E. L. She was one of the richest sources of epigrams in the early nineteenth century and one reviewer compared her to Rochefoucauld. Sometimes she adopts an adversarial role, giving contradictory viewpoints. Some of her thoughts recur, either developed or refined, but over time she also threw out differing opinions on some subjects; changeability, she argues, is one of our principal traits and, as she has one character remark, truth is like the philosopher's stone, a thing not to be discovered.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
Letitia Landon
Alternative Names:
L. E. L.
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Letitia Maclean
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Letitia Elizabeth Maclean
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Landon
From Wikidata (CC0)
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A gay temper is like a bright day ; true, it may have its faults — a little petulance, a little wilfulness — the flush may be too ready in the cheek, and the flash too prompt in the eye ; still these are only trifles to be pardoned, and we like that all the better in which we have something to forgive.
—I never saw more perfect loveliness.
It ask'd, it had no aid from dress: her robe
Was white, and simply gather'd in such folds
As suit a statue: neck and arms were bare;
The black hair was unbound, and like a veil
Hung even to her feet; she held a lute,
And, as she paced the ancient gallery, waked
A few wild chords, and murmur'd low sweet words,
But scarcely audible, as if she thought
Rather than spoke:—the night, the solitude,
Fill'd the young Pythoness with poetry.
It is not in the calm and measured paths of to day that we see the more bold and pronounced characters, whose outlines have been rough-hewn by the strong hand of necessity ; yet to such troubled times often belong the development of our noblest and best qualities — the stormy gulf of Ormus throws up the finest pearls. It is not in the season of tranquility that we know aught of the generous devotion, the fertility of resource, and the forgetfulness of self often shown in the hour of trial. When the French revolution broke out, how many, only accustomed to indolence, luxury, and custom, showed that "there was iron in the rose ;" and, whether at the call of duty or of affection, were prepared to bear even to the uttermost, and to exert a fortitude till then undreamed of.
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There is a flower, a snow-white flower,
Fragile as if a morning shower
Would end its being, and the earth
Forget to what it gave a birth;
And it looks innocent and pale,
Slight as the least force could avail
To pluck it from its bed, and yet
Its root in depth and strength is set.
The July sun, the autumn rain,
Beat on its slender stalk in vain;—
Around it spreads, despite of care,
Till the whole garden is its share;
And other plants must fade and fall
Beneath its deep and deadly thrall.
This is love's emblem; it is nurst
In all unconciousness at first,
Too slight, too fair, to wake distrust;
No sign how that an after hour
Will rue and weep its fatal power.