Nothing is truly great which it is great to despise; wealth, honor, reputation, absolute power—anything in short which has a lot of external trappings—can never seem supremely good to the wise man because it is no small good to despise them. People who could have these advantages if they chose but disdain them out of magnanimity are admired much more than those who actually possess them.

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All who aim at elevation are so anxious to escape the reproach of being weak and dry that they are carried, as by some strange law of nature, into the opposite extreme. They put their trust in the maxim that 'failure in a great attempt is at least a noble error'.

There are, one may say, some five most productive sources of the sublime in literature, the common groundwork, as it were, of all five being competence in speaking, without which nothing can be done. The first and most powerful is the power of grand conceptions…and the second is the inspiration of vehement emotion. The other three come partly from art, namely the proper construction of figures – these being of course of two kinds, figures of thought and figures of speech – and, over and above these, nobility of language…The fifth cause of grandeur, which gives form to all those already mentioned, is dignified and elegant word-arrangement.

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Thee, bold Longinus! all the Nine inspire,
And bless their Critick with a Poet's Fire.
An ardent Judge, who Zealous in his Trust,
With Warmth gives Sentence, yet is always Just;
Whose own Example strengthens all his Laws,
And Is himself that great Sublime he draws.

φύσει γὰρ ἅπαντες οἱ μεγέθους ἐφιέμενοι, φεύγοντες ἀσθενείας καὶ ξηρότητος κατάγνωσιν, οὐκ οἶδ᾿ ὅπως ἐπὶ τοῦθ᾿ ὑποφέρονται, πειθόμενοι τῷ ῾μεγάλων ἀπολισθαίνειν ὅμως εὐγενὲς ἁμάρτημα.᾿