American novelist and short story writer (1908–1988)
Louis Dearborn L'Amour /ˈluːi ləˈmʊr/ (22 March 1908 – 10 June 1988) was an American novelist and short story writer whose works consisted primarily of Western novels, which he called his "frontier stories", but who also wrote historical fiction, science fiction, nonfiction and poetry.
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I don't believe you know anything about a man like me or a country like this. It takes rough men, Miss Fair, to tame a rough country; rough men, but good men. Your father is in that class. As for you, I don't think you'd measure up, and you'll do well to leave it. You're a hothouse flower, very soft, very appealing and very useless...In the world you are going to, men want pretty useless women. They want toys for their lighte moments, and we have those women out here, too, only we have another name for them. We want women who can make a home, and if need be, handle a rifle.
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So many things that are so dramatic or exciting when you read about them actually happen so simply and quietly. We humans like to consider ourselves important to creation and to the world, and we expect that whenever death comes it should be with a crash of thunder and wild shouts or something, or with soft music around and people looking grave and serious. We always have it that way in the theatre because it makes us believe in our importance. Most of our life is a matter of dressing ourselves up to believe in just that, dressing ourselves in attractive clothes, in titles, in reputations. Actually, at base we all realize that we're just a frightened bundle of animals, still afraid of the unknown, and still afraid of thousands of things that can separate us from life, and trying to shield ourselves from our own smallness.
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he revealed nothing. He nodded gravely. “I suppose it might be, ma’am, but I was hired to do the job and take the risks.” “Figured I’d offer,” Thomas said, unwilling to let the matter drop. “You tell me what you figure to do, and I’ll be glad to help.” “Another time.” The marshal tasted his coffee again and looked directly at the girl. “You are new in Sentinel. Will you be staying long?” “No.” “Do you have relatives here?” “No.” He waited, but no explanation was offered. Fitz Moore was puzzled and he studied her from the corners of his eyes. There was no sound in the room but the ticking of the big, old-fashioned clock. The girl sat very still, the delicate line of her profile bringing to him a faint, lost feeling, a nostalgia from his boyhood when such women as she rode to hounds, when there was perfume on the air, blue grass, picket fences . . .