They say any artist paying six dollars may exhibit
Mr. Richard Mutt [= Long time scholars recognize R. Mutt was Duchamp himself; a growing number attribute credit Elsa Von Freytag-Loringhoven, a bisexual dada artist living in New York who as a woman, needed a pseudonym to get into the Armory Exhibition]. The object was photographed by Alfred Steiglitz before disappearing and was never was exhibited.
What were the grounds for refusing Mr. Mutt fountain:
1. Some contented it was immoral, vulgar.
2. Others, it was plagiarism, a plain piece of plumbing.

Another aspect of the 'readymade' is its lack of uniqueness.. ..the replica of a 'readymade' delivering the same message; in fact nearly every one of the 'ready-made's existing today is not an original in the conventional sense.
Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'ready-made's aided' and also works of assemblage.

The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem.. .I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.

The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.

The American woman is the most intelligent woman in the world today - the only one that always knows what she wants, and therefore always gets it. Hasn't she proved it by making her husband in his role as slave-banker look almost ridiculous in the eyes of the whole world? Not only has she intelligence but a wonderful beauty of line is hers, possessed by no other woman of any race at the present time.

I wanted to get away from the physical act of painting.. .For me the title ('Fresh Widow', 1920), with inscription under: 'Fresh Widow Copyright Rose Sélavy, 1920', [probably referring to all the widows because of the many killings of soldiers in World War, 1. which ended in 1918] was very important.. .I was interested in ideas – not merely visual products. I wanted to put painting once again at the service of the mind.