Another aspect of the 'readymade' is its lack of uniqueness.. ..the replica of a 'readymade' delivering the same message; in fact nearly every one of… - Marcel Duchamp

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Another aspect of the 'readymade' is its lack of uniqueness.. ..the replica of a 'readymade' delivering the same message; in fact nearly every one of the 'ready-made's existing today is not an original in the conventional sense.
Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'ready-made's aided' and also works of assemblage.

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About Marcel Duchamp

Henri-Robert-Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He was the first artist creating 'ready-made' in modern art.

Biography information from Wikiquote

Also Known As

Alternative Names: Henri Robert Marcel Duchamp Rrose Sélavy R. Mutt Rose Sélavy Marcel Duchamp-Villon Marsel Dushan Duxiang Henri-Robert-Marcel Duchamp Marcel Duchamp- Villon Rrose Selavy Rose Selavy
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Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'readymades aided' and also works of assemblage.

Additional quotes by Marcel Duchamp

Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now [c. 25 years later].

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I have forced myself to contradict myself in order to avoid conforming to my own taste.

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