I am a great enemy of critical writing as all I see in these interpretations and comparisons with Kafka and others is just an opportunity to open up … - Marcel Duchamp

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I am a great enemy of critical writing as all I see in these interpretations and comparisons with Kafka and others is just an opportunity to open up the floodgates of words which, overall, amounts to Carrouges or at times a translation of Carrouges – very free to makes his ideas look good. Obviously any work of art or literature, in the public domain, is automatically the subject of the victim of such transformations – and this is not just confined to the case of Carrouges. Every fifty years, El Greco is revised and adapted to the taste of the day, either overrated or underrated. The same goes for all surviving works of art. And this leads me to say that a work of art is made entirely by those who look at it or read it and make it survive by their acclaim or even their condemnation.

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About Marcel Duchamp

Henri-Robert-Marcel Duchamp (July 28, 1887 – October 2, 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He was the first artist creating 'ready-made' in modern art.

Biography information from Wikiquote

Also Known As

Alternative Names: Henri Robert Marcel Duchamp Rrose Sélavy R. Mutt Rose Sélavy Marcel Duchamp-Villon Marsel Dushan Duxiang Henri-Robert-Marcel Duchamp Marcel Duchamp- Villon Rrose Selavy Rose Selavy
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Additional quotes by Marcel Duchamp

If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe.

As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good — I use it because I have to, but I don’t put any trust in it. We never understand each other.

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Art is either plagiarism or revolution.

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