I try to stay pretty zen on set for the most part because it can help make it easier to dip in and out of all of these different moods. So I just try to stay really calm and that way, whatever mood I have to go into, I can always come back to that place. It’s not super hyper, super bubbly, but it’s something calm that it’s easy for me to come in and out of.

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Just knowing that I had the complexity and the capacity as an actor to play the kinds of roles I always wanted to play. I think I had always wanted to go down a certain road, but I had insecurities about whether or not I could really focus on that. So when I did that, it felt so good. I realized these kinds of complex roles and this kind of material is what I can steer myself toward. I don't have to worry if I’m good enough for it.

Every part and every year I just learn little bit more about myself and I start liking myself more. That’s been the biggest change for me, which I think is very normal. I started when I was younger; throughout my early twenties, I was just trying to figure out what other people wanted me to be and fit that. I think now that I’ve enter my thirties, I go, "Oh, I’m what people want. What I am already!" Then you start embracing that. Just being yourself is the key to the whole thing. That’s something I’ve really clicked into in the past couple of years more so than ever before.

I tend to try to be pretty level in my everyday life and on set as well. When I’m not acting, I try to be pretty even-keeled and level. I try to keep myself as calm as I can be. It’s sort of a good state to be in if you don’t know what state you’re going to have to put yourself in from day to day. As an actor, you don’t necessarily know exactly how far you’re going to have to go or what you’re going to have go through for a character. So I try to focus on being calm and happy. I try to keep my stress level pretty low so that I’m not bringing any of that home with me.

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I think it’s been a very slow progression for me in terms of shifting the perspective. I did a lot of really, really small films that, at least for me, shifted my trajectory in terms of the way that I saw myself as an actor and the projects that I wanted to pursue. I think it helped me bring a deeper level of understanding to the characters that I play, whether they’re in small films or big films. So I think taking some time out to focus on really small, character-driven roles helped lead me to those bigger projects that were also really character-driven and demanded a certain level of depth that I might not have had without those smaller, more character-focused independent films.

I always had a love hate relationship with social media. I was doing it but my heart was certainly never in it. I don’t know if anybody’s heart should really be in social media, but mine never was. So I always wanted to get rid of it. And I had before. I had actually deleted it before and then I ended up going back onto it. So now I’ve made the official move. I’ve pulled the plug. And I never say never. I don’t know what will happen 10 years from now. Who knows? But for now, this is really working for me.

I think I automatically pick things up…I feel like I’m able to use my body and pick up the choreography in order to use it to move the story and character forward. That was something I was used to doing in ballet — and performing in pieces where I’d be creating a character with my body and expressing it that way. So that’s something that I still really love to do, and I think that’s partly why action is something that I’ve really taken to.

There’s always going to be challenges and barriers, but you have to be adaptable and go, "OK, if that’s not going to work for me, then this is a passion I have as well." I was passionate about a lot of things in the performing arts, so I was lucky ballet wasn’t the only love in my professional life. I wanted to perform, and I didn’t feel ballet was going to allow me to do that to the extent that I wanted to. Acting seemed like a good transition from that.