Mary Elizabeth Winstead Quotes

Initially I started to back off of social media mainly for privacy reasons. But as soon as I was off of it, it was like this huge wave of relief where I felt kind of a weight lifted off of them. Like, oh wow! I don’t have to spend my days scrolling on my phone. I don’t have to be sucked into this anymore. I can actually focus on just living and enjoying my day itself and not focusing so much on what I’m supposed to share or what I’m supposed to receive and take in but actually just live my life.

I started acting before Instagram and Twitter and it was a different thing back then, but we’ve all kind of been swept up and I was swept up in it for a while. It was like, OK, this is what everybody else is doing. I’m going to have this many selfies, I’ve got to get this many likes, I’ve got to do what everybody else is doing. And then I realized that I had started taking part in all of that without really realizing it and figured out that it wasn’t not moving me. So it felt really good to let it go. And I feel much more authentically me when I’m not on it.

I really didn't have any fear about the humiliation factor. That was something I was excited to get the opportunity to explore. My fears were about pulling it off.

I always had a love hate relationship with social media. I was doing it but my heart was certainly never in it. I don’t know if anybody’s heart should really be in social media, but mine never was. So I always wanted to get rid of it. And I had before. I had actually deleted it before and then I ended up going back onto it. So now I’ve made the official move. I’ve pulled the plug. And I never say never. I don’t know what will happen 10 years from now. Who knows? But for now, this is really working for me.

I just learned how to drive a stick shift on my last film, finally. I had never learned to do that, so that is something that I’m planning on continuing to take with me. Also, my martial arts training is something that I want to keep up with after doing it three movies in a row now. I feel like it would be a real waste to just stop that when I do feel like I’ve been progressing quite a bit.

I think it’s been a very slow progression for me in terms of shifting the perspective. I did a lot of really, really small films that, at least for me, shifted my trajectory in terms of the way that I saw myself as an actor and the projects that I wanted to pursue. I think it helped me bring a deeper level of understanding to the characters that I play, whether they’re in small films or big films. So I think taking some time out to focus on really small, character-driven roles helped lead me to those bigger projects that were also really character-driven and demanded a certain level of depth that I might not have had without those smaller, more character-focused independent films.

Every part and every year I just learn little bit more about myself and I start liking myself more. That’s been the biggest change for me, which I think is very normal. I started when I was younger; throughout my early twenties, I was just trying to figure out what other people wanted me to be and fit that. I think now that I’ve enter my thirties, I go, "Oh, I’m what people want. What I am already!" Then you start embracing that. Just being yourself is the key to the whole thing. That’s something I’ve really clicked into in the past couple of years more so than ever before.

I love anybody who's willing to stick to their own vision, their own voice, who's not easily swayed by money or by financiers who are going to tell them what they should do.

It feels great to not be standing behind a bunch of men, but to actually be standing in front of it as women with something that we made, something that we’re proud of and something that we put our blood, sweat and tears into.

I think I automatically pick things up…I feel like I’m able to use my body and pick up the choreography in order to use it to move the story and character forward. That was something I was used to doing in ballet — and performing in pieces where I’d be creating a character with my body and expressing it that way. So that’s something that I still really love to do, and I think that’s partly why action is something that I’ve really taken to.

Just knowing that I had the complexity and the capacity as an actor to play the kinds of roles I always wanted to play. I think I had always wanted to go down a certain road, but I had insecurities about whether or not I could really focus on that. So when I did that, it felt so good. I realized these kinds of complex roles and this kind of material is what I can steer myself toward. I don't have to worry if I’m good enough for it.

I’ve been very lucky. Most of my career I’ve been considered an up-and-comer, which is sort of funny sometimes when you’re an up-and-comer after 15 years. But I’m really grateful because it makes me feel like I’ve been on this slow climb, and I feel very grateful to be still rising and still trying to reach my potential. There’s been times where it’s been scary. Every actor has those moments when you think this is your last project and no one is going to pick up the phone for you again. I go through that all the time, but then somehow something always comes along and it reinvigorates your spirit and carries you through the next phase. So I always keep that confidence that it’s going to happen even in the dark moments. That’s worked for me so far. Maybe I’ll still be an up-and-comer in five years, and I’ll be OK with that.

I try to stay pretty zen on set for the most part because it can help make it easier to dip in and out of all of these different moods. So I just try to stay really calm and that way, whatever mood I have to go into, I can always come back to that place. It’s not super hyper, super bubbly, but it’s something calm that it’s easy for me to come in and out of.

I think you go through a lot of it, just kind of repressing that stress. You’re like, ‘Everything’s great, everything’s fine. Everything’s fine. Nothing bothers me.’ And then one day it just kind of hits you in the face. You know, where you have to acknowledge [the stress]. …There’s a stigma about complaining about work, I guess because it’s so hard to do what we do and it’s a dream for so many people. You feel like you don’t have the right to complain about anything.

My hope and my optimistic point of view is that ultimately people will always need that human element.