He stood with his back angled to the wall. To an indifferent observer he was simply in idle conversation, but it wasn't like that at all. This was an instinctive gesture of survival, being in constant readiness for an attack. His head didn't turn and his eyes didn't seem to move, but I knew he saw us. I could feel the hackles on the back of my neck stiffening and I knew he felt the same way.
Dog was meeting dog. Nobody knew it but the dogs and they weren't telling.
He was bigger than I thought. The suggestion of power I had seen in his photographs was for real. When he moved it was with the ponderous grace of some jungle animal, dangerously deceptive, because he could move a lot faster if he had to.
When we were ten feet away he pretended to see us for the first time and a wave of charm washed the cautious expression from his face and he stepped out to greet Dulcie with outstretched hand.
But it wasn't her he was seeing. It was me he was watching. I was one of his own kind. I couldn't be faked out and wasn't leashed by the proprieties of society. I could lash out and kill as fast as he could and of all the people in the room, I was the potential threat. I knew what he felt because I felt the same way myself.
American crime novelist (1918–2006)
Frank Morrison Spillane (9 March 1918 –17 July 2006), more commonly known as Mickey Spillane, was an American crime novelist, famous for his series of novels featuring his signature detective character, Mike Hammer, among other works.
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They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that.
I heard the screams through the thin mist of night and kicked the car to a stop at the curb. It wasn't that screams were new to the city, but they were out of place in this part of New York that was being gutted to make room for a new skyline. There was nothing but almost totally disemboweled buildings and piles of rubble for three blocks, every scrap of value long since carted away and only the junk wanted by nobody left remaining.
And there was a quality to the screams that was out of place too. There was total hysteria that only complete terror can induce and it was made by a child.
The two cops dragging the little guy out stopped dead still. The other one washing the bloodstains from the seat quit swishing the brush over the wicker and held his breath. Nobody ever spoke that way to Dilwick. Nobody from the biggest politician in the state to the hardest apple that ever stepped out of a pen. Nobody ever did because Dilwick would cut them up into fine pieces with his bare hands and enjoy it. That was Dilwick, the dirtiest, roughest cop who ever walked a beat or swung a nightstick over a skull. Crude, he was. Crude, hard and dirty and afraid of nothing. He'd sooner draw blood from a face than eat and everybody knew it. That's why nobody ever spoke to him that way. That is, nobody except me.
Because I'm the same way myself.
The little guy's face was a bloody mess. Between the puffballs of blue-black flesh that used to be eyelids, the dull gleam of shock-deadened pupils watched Dilwick uncomprehendingly. His lips were swollen things of lacerated skin, with slow trickles of blood making crooked paths from the corners of his mouth through the stubble of a beard to his chin, dripping onto a stained shirt.
Dilwick stood just outside the glare of the lamp, dangling like the Sword of Damocles over the guy's head. He was sweating too. His shirt clung to the meaty expanse of his huge neck. He pushed his beefy hand further into the leather glove and swung. The solid smack of his open hand on the little guy's jaw was nasty. His chair went over backward and his head cracked against the concrete floor of the room like a ripe melon. Dilwick put his hands on his hips and glared down at the caricature that once was human.
His eyes had death in them, his and mine. His belly was bloated and I could smell the stench of a festering wound, the sickening odor of old blood impregnated into cloth. There was a wildness in his face and his mouth was a tight slash that showed all his teeth. Marv Kania was young, but right there he was as old as death itself.
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Even in that pale light I could see that she was more beautiful than ever, the black shadow of her hair framing a face I had seen every night in the misery of sleep for so long. Those deep brown eyes still had that hungry look when they watched mine and the lush fullness of her mouth glistened with a damp warmth of invitation.
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You walk down the street at night. It's raining out. The only sound is that of your own feet. There are city sounds too, but these you don't hear because at the end of the street is the woman you've been waiting for for seven long years and each muffled tread of your footsteps takes you closer and closer and the sound of them marks off seconds and days and months of waiting.
Then, suddenly, you're there, outside a dark-faced building, a brownstone anachronism that stares back dully with the defiant expression of the moronic and you have an impending sense of being challenged.
I sat there as if I were paralyzed; for a second totally immobilized, a suddenly frozen mind and body that had solidified into one great silent scream at the mention of a name I had long ago consigned to a grave somewhere. Then the terrible cold was drenched with an even more terrible wash of heat and I sat there with my hands bunched into fists to keep them from shaking.
They found me in the gutter. The night was the only thing I had left and not much of it at that. I heard the car stop, the doors open and shut and two voices talking. A pair of arms jerked me to my feet and held me there.
"Drunk," the cop said.
The other one turned me around into the light. "He don't smell bad. That cut on his head didn't come from a fall either."
"Mugged?"
"Maybe."
I didn't give a damn which way they called it. They were both wrong anyhow. Two hours ago I was drunk. Not now. Two hours ago I was a roaring lion. Then the bottle sailed across the room. No lion left now.
Now was a time when I wasn't anything. Nothing was left inside except the feeling a ship must have when it's torpedoed, sinks and hits bottom.
She begged me to say something, but I let her squeeze it out herself. " The police came again, but Berga wouldn't tell them anything." The tongue moistened the lips again. The scarlet was starting to wash away and I could see the natural tones of the wet flesh. " The other men came... they were different from the police. Federal men, I think. They took her away. Before she came back...Those men came."
She put something into the last three words that wasn't in the others, some breathless, nameless fear. Her hands were tight balls with the nails biting into the palms. A glassiness had passed over her eyes while she thought about it, then vanished as if afraid it had been seen.
All I saw was the dame standing there in the glare of the headlights waving her arms like a huge puppet and the curse I spit out filled the car and my own ears. I wrenched the wheel over, felt the rear end start to slide, brought it out with a splash of power and almost ran up the side of a cliff as the car fishtailed. The brakes bit in, gouging a furrow in the shoulder, then jumped to the pavement and held.
Somehow I had managed a sweeping curve around the babe. For a few seconds she had been living on stolen time because instead of getting out of the way she had tried to stay in the beam of the headlights. I sat there and let myself shake. The butt that had fallen out of my mouth had burned a hole in the leg of my pants and I flipped it out the window. The stink of burned rubber and brake lining hung in the air like smoke and I was thinking of every damn thing I ever wanted to say to a hairbrained woman so I could have it ready when I got my hands on her.
That was as far as I got. She was there in the car beside me, the door slammed shut and she said, "Thanks, mister."
I was thinking too damn much to be careful. When I stabbed my key in the lock and turned it there was a momentary catch in the tumblers before it went all the way around and I swore out loud as I rammed the door with my shoulder and hit the floor.Something swished through the air over my head and I caught an arm and pulled a squirming, fighting bundle of muscle down on top of me.
If I could have reached my rod I would have blown his guts out. His breath was in my face and I brought my knee up, but he jerked out of the way bringing his hand down again and my shoulder went numb after a split second of blinding pain. He tried again with one hand going for my throat, but I got one foot loose and kicked out and up and felt my toe smash onto his groin. The cramp of the pain doubled him over on top of me, his breath sucking in like a leaky tire.
Then I got cocky. I thought I had him. I went to get up and he moved. Just once.That thing in his hand smashed against the side of my head and I started to crumple up piece by piece until there wasn't anything left except the sense to see and hear enough to know that he had crawled out of the room and was falling down the stairs outside. Then I thought about the lock on my door and how I had a guy fix it so that I could tell if it had been jimmied open so I wouldn't step into any blind alleys without a gun in my hand, but because of a dame who lay naked and smiling on a bed I wouldn't share, I had forgotten all about it.