American jazz trumpeter, bandleader, and composer (1926–1991)
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Billie Holiday—she was the nicest woman in the world, you know. All she wanted to do was sing. They picked on her and picked on her to get money out of her. You do drugs 'cause you like to, not 'cause it's a life-style.... They picked on Billie so much. She said, "Miles, come and see me in Long Island." She was in love with one of my kids and his curly hair—he used to ride my bicycle and watch the horse at Aqueduct. She said, "Miles, if they'd just leave me alone; they could have the house—everything." You know the way singers shake their asses now. Billie didn't have to do that. Her mouth was so sensuous; she was pretty and she would say certain words and her mouth would quiver, and she always had this white gardenia and long gloves.
Take it off! That's some sad __, man. In the first place, I hear some Charlie Parker cliches. . . . They don't even fit. Is that what the critics are digging? Them critics better stop having coffee. If there ain't nothing to listen to, they might as well admit it. Just to take something like that and say it's great, because there ain't nothing to listen to, that's like going out and getting a prostitute. [Leonard Feather: This man said he was influenced by Duke Ellington.] I don't give a ! It must be . Right? I don't care who he's inspired by. That __ ain't nothing. In the first place he don't have the - you know, the way you touch a piano. He doesn't have the touch that would make the sound of whatever he thinks of come off. I can tell he's influenced by Duke, but to put the loud pedal on the piano and make a run is very old-fashioned to me. And when the alto player sits up there and plays without no tone . . . That's the reason I don't buy any records.