I know a lot of people are where I was several years ago, when I was getting started with writing, wondering how they might get started as writers. And I have this little litany of things they can do. And the first one, of course, is to write-every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing. Second, read every day. Read voraciously and omnivorously, whatever's out there. You never know what's gonna grab you. Third, for people who aren't doing it already, take classes-they're worthwhile. Workshops or classes-a workshop is where you do actually get feedback on your work, not just something where you go and sit for a day. A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't. Those are some of the suggestions I give to my young writers. (2004)
American science fiction writer (1947-2006)
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I fell into writing it because I saw a bad movie, a movie called Devil Girl from Mars, and went into competition with it. But I think I stayed with it because it was so wide open. It gave me the chance to comment on every aspect of humanity. People tend to think of science fiction as, oh, Star Wars or Star Trek. And the truth is, there are no closed doors, and there are no required formulas. You can go anywhere with it.
Intelligence is ongoing, individual adaptability. Adaptations that an intelligent species may make in a single generation, other species make over many generations of selective breeding and selective dying. Yet intelligence is demanding. If it is misdirected by accident or by intent, it can foster its own orgies of breeding and dying.