American science fiction writer (1947-2006)
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Obviously in some places you will meet with some nastiness, but it isn't general. The only place I was ever called "nigger," had someone scream nigger at me in public, was in Boston, for goodness sakes. It wasn't a person going to a conference, it was just a stranger who happened to see me standing, waiting for a traffic light. (1990)
Human beings fear difference," Lilith had told him once. "Oankali crave difference. Humans persecute their different ones, yet they need them to give themselves definition and status. Oankali seek difference and collect it. They need it to keep themselves from stagnation and overspecialization. If you don't understand this, you will. You'll probably find both tendencies surfacing in your own behavior." And she had put her hand on his hair. "When you feel a conflict, try to go the Oankali way. Embrace difference.
I know a lot of people are where I was several years ago, when I was getting started with writing, wondering how they might get started as writers. And I have this little litany of things they can do. And the first one, of course, is to write-every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing. Second, read every day. Read voraciously and omnivorously, whatever's out there. You never know what's gonna grab you. Third, for people who aren't doing it already, take classes-they're worthwhile. Workshops or classes-a workshop is where you do actually get feedback on your work, not just something where you go and sit for a day. A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't. Those are some of the suggestions I give to my young writers. (2004)
I wrote the two Parable books back in the '90s. And they are books about, as I said, what happens because we don't trouble to correct some of the problems that we’re brewing for ourselves right now. Global warming is one of those problems. And I was aware of it back in the ’80s. I was reading books about it. And a lot of people were seeing it as politics, as something very iffy, as something they could ignore because nothing was going to come of it tomorrow. That and the fact that I think I was paying a lot of attention to education because a lot of my friends were teachers, and the politics of education was getting scarier, it seemed to me. We were getting to that point where we were thinking more about the building of prisons than of schools and libraries. And I remember while I was working on the novels, my hometown, Pasadena, had a bond issue that they passed to aid libraries, and I was so happy that it passed, because so often these things don’t. And they had closed a lot of branch libraries and were able to reopen them. So, not everybody was going in the wrong direction, but a lot of the country still was. And what I wanted to write was a novel of someone who was coming up with solutions of a sort.