And then he realized that he could never make anything out of the Unmaker, could never make the Unmaker do or be anything because it was only Undoing and Unbeing. It wasn't the Unmaker he needed to call to, it was all the living things around him, the trees, the grass, the earth, the air itself. It was the greensong that he needed to restore.

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She don't set no store to see a king. Her pa a king back in Africa, and they shoot him dead. Them Portuguese slavers show her what it mean to be a king—it mean you die quick like everybody, and spill blood red like everybody, and cry out loud in pain and scared—oh, fine to be a king, and fine to see one. Do them White folk believe this lie?

Slavery, that was a kind of alchemy for such White folk, or so they reckoned. They calculated a way of turning each bead of a Black man's sweat into gold and each moan of despair from a Black woman's throat into the sweet clear sound of a silver coin ringing on the money-changer's table. There was buying and selling of souls in that place. Yet there was nary a one of them who understood the whole price they paid for owning other folk.

At night in his own bed, Alvin listened to the distant greensong, still warm and beautiful, still bright and hopeful even though the forest was getting so sparse, even though the future was so dim. Cause there's no fear of future in the song of life, just the ever-joyful present moment. That's all I want right now, thought Alvin. The present moment, which is good enough.

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As he had so many times before, Taleswapper addressed a few silent words to God, which always came down to this question: Why do you put us to so much trouble, when it all comes to naught in the end?...And, as usual, God had nothing much to say to Taleswapper when his questioning was done.