William Somerset Maugham Quotes

You know, my dear child, that one cannot find peace in work or in pleasure, in the world or in a convent, but only in one's soul.

Money is like a sixth sense - and you can't make use of the other five without it.

I always find it more difficult to say the things I mean than the things I don't.

You know, there are two good things in life, freedom of thought and freedom of action. In France you get freedom of action: you can do what you like and nobody bothers, but you must think like everybody else. In Germany you must do what everybody else does, but you may think as you choose. They're both very good things. I personally prefer freedom of thought. But in England you get neither: you're ground down by convention. You can't think as you like and you can't act as you like. That's because it's a democratic nation. I expect America's worse.

Both these men are in love with Natasha, Count Rostov's younger daughter, and in her Tolstoy has created the most delightful girl in fiction. Nothing is so difficult as to portray a young girl who is at once charming and interesting. Generally the young girls of fiction are colorless (Amelia in Vanity Fair), priggish (Fanny in Mansfield Park), too clever by half (Constantia Durham in The Egoist), or little geese (Dora in David Copperfield), silly flirts or innocent beyound belief. It is understandable that they should be an awkward subject for the novelist to deal with, for at that tender age the personality is undeveloped. Similarly a painter can only make a face interesting when the vicissitudes of life, thought, love and suffering have given it character. In the portrait of a girl the best he can do is to represent the charm and beauty of youth. But Natasha is entirely natural. She is sweet, sensitive, and sympathetic, willful, childish, womanly already, idealistic, quick-tempered, warm-hearted, headstrong, capricious and in everything enchanting. Tolstoy created many women and they are wonderfully true to life, but never another who wins the affection of the reader as does Natasha.

I daresay one profits more by the mistakes one makes off one's own bat than by doing the right thing on somebody's else advice.

Art is merely the refuge which the ingenious have invented, when they were supplied with food and women, to escape the tediousness of life.

I know that I shall die struggling for breath, and I know that I shall be horribly afraid. I know that I shall not be able to keep myself from regretting bitterly the life that has brought me to such a pass; but I disown that regret. I now, weak, old, diseased, poor, dying, hold still my soul in my hands, and I regret nothing.

There was an immeasurable distance between the quick and the dead: they did not seem to belong to the same species; and it was strange to think that but a little while before they had spoken and moved and eaten and laughed.

...you know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

When you have loved as she has loved, you grow old beautifully.

Our wise old church...has discovered that if you will act as if you believed belief will be given to you; if you pray with doubt, but pray with sincerity, your doubt will be dispelled; if you will surrender yourself to the beauty of that liturgy the power of which over the human spirit has been proved by the experience of the ages, peace will descend upon you.

Its a toss-up when you decide to leave the beaten track. Many are called, few are chosen.

Yet magic is no more the art of employing consciously invisible means to produce visible effects. Will, love, and imagination are magic powers that everyone possesses; and whoever knows how to develop them to their fullest extent is a magician. Magic has but one dogma, namely, that the seen is the measure of the unseen.

Money is the string with which a sardonic destiny directs the motions of its puppets.