Australian-British novelist, actress and journalist (1899–1996)
Pamela Lyndon Travers (August 9 1899 – April 23 1996) was a British author, born Helen Lyndon Goff in Maryborough, Queensland, Australia, best known as the creator of the "Mary Poppins" series of stories.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Helen Lyndon Goff
Native Name:
Pamela Lyndon Travers
Alternative Names:
Miss Travers
From Wikidata (CC0)
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My wisdom tells me that this is probably so. We are all made of the same stuff, remember, we of the Jungle, you of the City. The same substance composes us — the tree overhead, the stone beneath us, the bird, the beast, the star — we are all one, all moving to the same end. Remember that when you no longer remember me, my child.” “But
"That's coral!" she cried in astonishment. "We must be down in the deeps of the sea!"
Well, wasn't that what you wanted?" said the trout. "I thought you wished you could see the sea!"
I did," said Jane, looking very surprised. "But I never expected the wish to come true."
Great oceans! Why bother to wish it then? I call that simply a waste of time. But come on! Mustn't be late for the party!
"It was not very long afterwards that Michael woke up one morning with a curious feeling inside him. He knew, the moment he opened his eyes, that something was wrong but he was not quite sure what it was.
"What is today, Mary Poppins?" He enquired, pushing the bedclothes away from him.
"Tuesday," said Mary Poppins. "Go and turn on your bath. Hurry!" she said, as he made no effort to move. He turned over and pulled the bedclothes up over his head and the curious feeling increased.
"What did I say?" said Mary Poppins in that cold, clear voice that was always a Warning.
Michael knew now what was happening to him. He knew he was going to be naughty."
Jane and Michael sat at the window watching for Mr. Banks to come home, and listening to the sound of the East Wind blowing through the naked branches of the cherry-trees in the Lane. The trees themselves, turning and bending in the half light, looked as though they had gone mad and were dancing their roots out of the ground. "There he is!" said Michael, pointing suddenly to a shape that banged heavily against the gate. Jane peered through the gathering darkness.
"That's not Daddy," she said. "It's somebody else."
Then the shape, tossed and bent under the wind, lifted the latch of the gate, and they could see that it belonged to a woman, who was holding her hat on with one hand and carrying a bag in the other. As they watched, Jane and Michael saw a curious thing happen. As soon as the shape was inside the gate the wind seemed to catch her up into the air and fling her at the house. It was as though it had flung her first at the gate, waited for her to open it, and then had lifted and thrown her, bag and all, at the front door. The watching children heard a terrific bang, and as she landed the whole house shook.
"How funny! I've never seen that happen before," said Michael.
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My Zen master, because I’ve studied Zen for a long time, told me that every one (and all the stories weren’t written then) of the Mary Poppins stories is in essence a Zen story. And someone else, who is a bit of a Don Juan, told me that every one of the stories is a moment of tremendous sexual passion, because it begins with such tension and then it is reconciled and resolved in a way that is gloriously sensual. … A great friend of mine at the beginning of our friendship (he was himself a poet) said to me very defiantly, “I have to tell you that I loathe children’s books.” And I said to him, “Well, won’t you just read this just for my sake?” And he said grumpily, “Oh, very well, send it to me.” I did, and I got a letter back saying: “Why didn’t you tell me? Mary Poppins with her cool green core of sex has me enthralled forever.”