Look, these clowns need a messiah because the truth of the world always goes down easier with a few miracles and a lot of blood. It’s a very old game, the rules don’t change. I’d say Stride is a flaming, fourteen-karat folk hero. Look at this crowd; you’re not talking about contented, mature people. You ever see a happy man who needed to conquer the world?
writer (1929-2013)
Parke Godwin (January 28, 1929 – June 19, 2013) was an American writer of science fiction, fantasy, and historical fiction.
From: Wikiquote (CC BY-SA 4.0)
Judas shrugged. “He’s taking their own fear, frustration and anger and selling it back to them with a new ribbon around it. Easy answers, easy targets: out with the Jews and blacks, down with the intellectuals, which means anyone who’s better off or disagrees with them. Slogans, marching bands and the promise of blood. How can he miss?”
We're here with Judas Iscariot on the fringe of the delirious demonstration for Roy Stride. Judas, can you comment on the meteoric rise of Stride and the White Paladins?"
Judas reached through the cab window and fetched his cap. "I'd say the hopeless schmucks have found the kind of government they deserve. Always do.
You must have been an evangelical."
"Tabernacle of the Born Again Savior," Charity owned with wistful pride. "Not that it helped a whole lot."
"Indeed." Jake sank again in his chair. "Tabernacle of the…the more shriveled the existence, the more elaborate the credentials. Virtue measured by what you wouldn't do, at least under scrutiny, and others judged for what they would and got caught at. You don't want Grace, Miss Stovall. You want to get even.
One can think," Jake mused over the chessboard. "If thought is desirable. For me it was a curse, an obsession, like chess. Always the intellectual yearning to be the man of action. To be, like Brutus, a fulcrum of history. That was denied me until one day when I—acted. I'll never know whether I was right at the wrong time for my own sake or wrong at the right time for the sake of history.
Coyle knew to its core the essence of Charity Stovall, who had lived her twenty years in the lower echelons of Christian belief, a lurid topography with no middle ground. Her theology was banal but rendered in full color, a Caucasian Green Pastures at one end, smoke, fire, pain—the whole Faustian, Exorcist claptrap at the other.