But you can’t make war personal,” I say, “or you’ll never make the right decisions.”
“And if you didn’t make personal decisions, you wouldn’t be a person. All war is personal somehow, isn’t it? For somebody? Except it’s usually hate.”
“Lee — ”
“I’m just saying how lucky he is to have someone love him so much they’d take on the whole world.” His Noise is uncomfortable, wondering what I’m looking like, how I’m responding. “That’s all I’m saying.”
“He’d do it for me,” I say quietly.
I’d do it for you too, Lee’s Noise says.
And I know he would.
But those people who die because we do it, don’t they have people who’d kill for them?
So who’s right?
American-British novelist and children's writer
Patrick Ness FRSL (born 17 October 1971) is an American-British author, journalist, lecturer, and screenwriter. Born in the United States, Ness moved to London and holds dual citizenship. He is best known for his books for young adults, including the Chaos Walking (2008–2010) trilogy and A Monster Calls (2011). Ness won the annual Carnegie Medal in 2011 and in 2012, for Monsters of Men and A Monster Calls.
He is one of seven writers to win two Medals, and the second to win consecutively. He wrote the screenplay of the 2016 film adaptation of A Monster Calls, and was the creator and writer of the Doctor Who spin-off series Class.
Bio from: Wikipedia (CC BY-SA 4.0) · Portrait adapted from: Wikimedia Commons, Gage Skidmore (CC BY-SA)
It just felt like she'd been born with a small flaw, right at the centre of herself, a flaw somehow too shameful to be shown to anyone else, so she'd spent her life building a carapace around it to keep it hidden. Inevitably, the carapace became her true self, a fact she could never quite see, a fact that might have offered relief. Because all she knew was the truth deep inside of her, the little something wrong no one else could ever, ever know. And if that wasn't the real her, then what was? At her core, she was broken, and life was just one long attempt to distract people from noticing.
"I couldn't stand the waiting anymore. I couldn't stand how alone it made me feel."
And a part of you wished it would just end, said the monster, even if it meant losing her.
And the nightmare began. The nightmare that always ended with -
"I let her go," Conor choked out. "I could have held on but I let her go."
And that, the monster said, is the truth.
"I didn't mean it, though!" Conor said, his voice rising. "I didn't mean to let her go! And now it's for real! Now she's going to die and it's my fault!"
And that, the monster said, is not the truth at all.
I thought I had more. I thought Gudmund was my more. It didn't matter how crap everything else was. The stuff with Owen, The stuff with my parents, even later with the stuff at school. I could live with all of that, because I had him. He was mine and no one else's. We lived in this private world, that no one else knew about and no one else ever lived in.
HELP!”
I race to the square, crossing it, looking all around, listening out-
No.
No.
It’s empty.
Viola’s breathing heavy in my arms .
And Haven is empty.
I reach the middle of the square.
I don’t see nor hear a soul.
I spin around again.
“HELP!” I cry.
But there’s no one.
Haven’s completely empty.
There ain’t hope here after all.