I didn't want to repeat the same notes in the second verse that I used in the first, so I wrote out all the notes of the song and all the notes that were missing in the scale, given that there are twelve notes from octave to octave. All those notes that weren't in the scale were the ones I wanted in for the next verse. The listener isn't aware that they are new notes, but the sound is pleasing to the ear. I change the key, and somehow it's fresh because you haven't heard those notes before.

I'm going to Graceland, Graceland,
Memphis, Tennessee,
Well, I'm going to Graceland.
Poor boys and pilgrims with families
And we are going to Graceland,
And my travelling companion is nine years old,
He is the child of my first marriage,
But I've reason to believe
We both will be received in Graceland.

How can you live in the Northeast?
How can you live in the South?
How can you build on the banks of a river
When the flood water pours from the mouth? How can you be a Christian?
How can you be a Jew?
How can you be a Muslim, a Buddhist, a Hindu? How can you?

It's outrageous to line your pockets off the misery of the poor.
Outrageous, the crimes some human beings must endure.
It's a blessing to wash your face in the summer solstice rain.
It's outrageous a man like me stand here and complain.
But I'm tired.

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There was always some kind of strain, but it was workable. The bigger you get, the more of a strain it is, because in your everyday life, you're less used to compromising. As you get bigger, you have your own way. But in a partnership you always have to compromise. … When you get into a partnership, you're not the boss. There's no boss. That makes it hard.

She said, why don't we both just sleep on it tonight And I believe, in the morning you'll begin to see the light And then she kissed me and I realized she probably was right There must be fifty ways to leave your lover, fifty ways to leave your lover