Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear... Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.

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And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said "The words of the prophets Are written on the subway walls And tenement halls And whispered in the sound of silence"

These are the days of miracle and wonder,
This is the long distance call,
The way the camera follows us in slo-mo,
The way we look to us all,
The way we look to a distant constellation
That's dying in a corner of the sky,
These are the days of miracle and wonder
And don't cry, baby, don't cry, don't cry.