Hannibal. I’m looking for the Graham farm.” “The breeder?” he asked. “What do you mean?” “Graham’s a breeder. He breeds slaves and sells them.” “My wife and daughter were taken there.” The man was silent.

"The books began to arrive, boxes of them. At first I could not open a single one, but was taken by them as objects. The covers were all so attractive. The jacket copy made each one sound great, blurbs from established literary icons told me why I should like it. The fat books were praised for being fat, the skinny books were praised for being skinny, old writers were great because they were old, young writers were talents because of their youth, every one was startling, ground-breaking, warm, chilling, original, honest and human. I would have found refreshing:

"Jo Blow’ s new novel takes on the mundane and leaves it right where it is. The prose is clear and pedestrian. The moves are tried and true. Yet the book is not so alarmingly dishonest. The characters are as wooden as the ones we meet in real life. This is a torturous journey through the banal. The novel is ordinary but not insipid, pointless but not meaningless, savorless but not stale.

Jo Blow is a middle aged writer with a family and no discernible special features. He lives in a house and is about as smart as his last novel."

So, I opened the first book and I loved it. Actually, I enjoyed reading. The book sucked. But I did enjoy reading it and so I read another and another. I read three in one night and the better part of the next day. All three were sterile, well-constructed, predictable fare. I decided that perhaps I was jaded. I was familiar with novels the way a surgeon is familiar with blood. I would have to contact my innocent, inner self, the part of me that could be amazed by the dull and commonplace."

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I'm wanted for being a runaway, kidnapping, theft and murder.'
'Are you guilty?' Holly asked.
'Does it matter?' I asked.

I was, in life, to be a gambler, a risk taker, a swashbuckler, a knight. I accepted, then and there, my place in this world. I was a fighter of windmills. I was a chaser of whales.

It could have been my turn to experience a bit of guilt, having toyed with the boy's feelings, and he being too young to actually understand the problem with his behavior, but I chose not to. When you are a slave, you claim choice where you can.

Everybody talks about genocides around the world, but when the killing is slow and spread over a hundred years, no one notices. Where there are no mass graves, no one notices. American outrage is always for show. It has a shelf life.

"When you step on the gas, do it gently, softly, slowly. Okay? All right, let's try it again. Gently. Treat it like you would a woman."
"I would never step on a woman."

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them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.

At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them,

I had never read a novel, though I understood the concept of fiction. It wasn't so unlike religion, or history, for that matter.

I had to ask myself and answer honestly, How much do I want to be free? And I couldn’t lose sight of my goal of freeing my family. What would freedom be without them?

Now here he was, tailored iron-gray suit, thin maroon tie, a maroon handkerchief peeking out from his breast pocket. His oxblood wing tips gleamed. He looked like a supervillain or, worse, an upper-crust English spy, an openly promiscuous and functionally alcoholic heterosexual with an on-and-off-again messiah complex. It was the shoes, the way they were tied.