I had already come to understand the tidiness of lies, the lesson learned from the stories told by white people seeking to justify my circumstance. I appreciated Voltaire’s notion of tolerance regarding religious difference and I understood, as absorbed as I was, that I was not interested in the content of the work, but its structure, the movement of it, the calling out of logical fallacies. And so, after these books, the Bible itself was the least interesting of all. I could not enter it, did not want to enter it, and then understood that I recognized it as a tool of my enemy. I chose the word enemy, and still do, as oppressor necessarily supposes a victim.

Way I sees it is dis. If’n ya gots to hab a rule to tells ya wha’s good, if’n ya gots to hab good ’splained to ya, den ya cain’t be good. If’n ya need sum kinda God to tells ya right from wrong, den you won’t never know.

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it. I don’t believe in race. I believe there are people who will shoot me or hang me or cheat me and try to stop me because they do believe in race, because of my brown skin, curly hair, wide nose and slave ancestors. But that’s just the way it is.

He could have gone through life without the knowledge I had given him and he would have been no worse off for it. But I understood at that moment that I had shared the truth with him for myself. I needed for him to have a choice.

How strange a world, how strange an existence, that one’s equal must argue for one’s equality, that one’s equal must hold a station that allows airing of that argument, that one cannot make that argument for oneself, that premises of said argument must be vetted by those equals who do not agree.

I don’t think meaning exists without form, and certainly form does not exist without meaning. Meaning and story come first. Story is the most important part of fiction. Without it, what’s the point? If all you care about is form, become a critic.

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Linda Mallory was the postmodern fuck. She was self conscious to the point of distraction, counted her orgasms and felt none of them. She worried about how she looked while making love, about how her expression changed when she started to come, whether she was too tight, too loose, too dry, too wet, too loud, to quiet and she found need to express these concerns during the course of the event.

Why did God set it up like this?” Rachel asked. “With them as masters and us as slaves?” “There is no God, child. There’s religion but there’s no God of theirs. Their religion tells that we will get our reward in the end. However, it apparently doesn’t say anything about their punishment. But when we’re around them, we believe in God. Oh, Lawdy Lawd, we’s be believin’. Religion is just a controlling tool they employ and adhere to when convenient.” “There must be something,” Virgil said. “I’m sorry, Virgil. You might be right. There might be some higher power, children, but it’s not their white God. However, the more you talk about God and Jesus and heaven and hell, the better they feel.” The children said together, “And the better they feel, the safer we are.

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It could have been my turn to experience a bit of guilt, having toyed with the boy's feelings, and he being too young to actually understand the problem with his behavior, but I chose not to. When you are a slave, you claim choice where you can.