Things are set up as contraries that are not even in the same category. Listen to me: the opposite of radical is superficial; the opposite of liberal is stingy; the opposite of conservative is destructive. Thus I will describe myself as a radical conservative liberal; but certain of the tainted red fish will swear that there can be no such fish as that. Beware of those who use words to mean their opposites. At the same time have pity on them, for usually this trick is their only stock in trade. But do not pity them overly, it is your own death and your soul's death that they work by their deception.
American writer (1914–2002)
Raphael Aloysius Lafferty (7 November 1914 – 18 March 2002) was an American science fiction and fantasy writer, famous for his humorous use of metaphor, narrative structure, and language in his very peculiar forms of etymological wit.
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Raphael Aloysius Lafferty
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Mr. Lafferty says, "I'm the fellow who, for more than a quarter century, has faithfully maintained the thesis that all writers should be funny-looking and all stories should be funny. Almost all of the evil in the world is brought about by handsome writers doing pompous pieces. But sometimes readers tell me that such a story of mine is not funny at all. 'Wait, wait,' I tell them. 'You're holding it upside-down. Now try it.' And sure enough it is funny if they get ahold of it right. This caution is especially applicable to the story 'Junkyard Thoughts.' Be sure you're not holding it upside-down or it will be merely bewildering."
When we build excellences into human persons, Victor, we do not build up or upon. We build down, which is another way of saying that we refine. We cut down. We carve out. We sculpt.’
‘From what stones do we sculpt, Swing? Is it from the ‘Magnificent Blanks’ that you sometimes speak of?’
‘Yes, and there are such things, though you all smile at such statements from me as though I were concealing something behind a fanciful notion. There were even some Magnificent Blanks on this world once. The Cro-Magnons were such, and most of the people still carry some of their blood. The essence of the ‘Magnificents’ is that they should be large-brained and long-lived and vigorous; and that they should have a certain style, which is the same thing as grace, or as power-in-balance. And the essence of the ‘Blanks’ is a sort of hairy invisibility, a condition in which nobody will look at them twice, in which nobody will pluck or plunder them before their time.
When Dotty learned of Keen’s advent she was desolate, but in her own fashion. Dotty’s emotions were in rational balance and larded with enough humor to keep them from sticking to the pan. The insistence that humor is the core of the soul, even in the middle of trial and tragedy, stayed with Dotty through all the months that followed, which were filled with shock after shock. She tried to fight back with prayer, patience, exposition, common sense, murder, flight, but also with humor. Always with humor.
Paul was coursing at fantastic speed towards the area where the little twin stars Rhium and Antirhium revolved around each other. “Hurry,” were his instructions; “they seem of no consequence, but they are the governor of the universe. Somebody is tampering with them.” Paul continued at his impossible speed and arrived at the area. He saw something that nobody had ever seen before, for nobody had ever been so close to them. The two small stars that revolved around each other were, joined together by a long steel chain. It was that which held them in their tight rapid orbits; it was that which made them the governor of the universe. Paul quickly located the trouble. There was a small green creature, with the body of .a monkey and the head of a gargoyle, cutting the chain with a hack-saw, and he had it near cut in two. “Pray that I be not too late!”
Paul prayed, and he believed he had made it when the sawyer-broke a blade. But he quickly replaced it with another, stuck his green tongue out at Paul, took three more strokes with the hack-saw, and the chain broke. Then Rhium and Antirhium swung out of their tight orbits, and the whole universe was out of control with its governor broken. Fifty billion billion stars went nova, and then blacked out to nothing. The universe had eaten itself and was gone forever. “I told you to hurry!” the space captain told Paul furiously as he came barreling up. Then the space captain’s face melted like wax and he was gone. “I did hurry,” Paul said. Then his own face melted like wax and he was gone also.
“Is it quite finished?” came the voice of old hawk-face Fabian Foreman. “If it is quite finished, then perhaps we can begin to construct a new universe. It’s all right. It worked out well. I meant you to be too late.
Atrox Fabulinus, the Roman Rabelais, once broke off the account of his hero Raphaelus in the act of opening a giant goose egg to fry it in an iron skillet of six yards' span. Fabulinus interrupted the action with these words: “Here it becomes necessary to pause for a moment and to recount to you the history of the world up to this point.”
After Fabulinus had given the history of the world up to that point, he took up the action of Raphaelus once more. It happened that the giant goose egg contained a nubile young girl. This revelation would have been startling to a reader who had not just read the history of the world up to that point; which history — being Fabulinian in its treatment — prepared him for the event.
Pottscamp felt nothing; he was, of course, a machine without feeling. He had no conscience or compassion. This would not bother him at all.
It wouldn’t?
Then why did he-?
Then why did he-WHAT?
Sat on the ground and moaned and howled like an old Hebrew. And poured dust and ashes over his head.
You’re crazy. He really did that?
He really did that.
This short history should have something to satisfy every taste and perversion: action, treachery, fratricide and regicide, corruption, and bloodshed. It contains thirteen murders, the victims being mostly of one family. It lists the ways in which a man or an Empire may be surrounded and destroyed; and contains a veritable catalog of subversions and finely wrought treacheries — which the reader may be able to make use of in his own life.
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