American writer (1914–2002)
Raphael Aloysius Lafferty (7 November 1914 – 18 March 2002) was an American science fiction and fantasy writer, famous for his humorous use of metaphor, narrative structure, and language in his very peculiar forms of etymological wit.
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Christopher couldn't recall what day it was; he certainly didn't know what hour it was. It was a gray day, but there was no dullness in that gray. It was shimmering pearl-gray, of a color bounced back by shimmering water and shimmering air. It was a crimson-edged day, like a gray squirrel shot and bleeding redly from the inside and around the edges. Yes, there was the pleasant touch of death on things, gushing death and gushing life.
Things are set up as contraries that are not even in the same category. Listen to me: the opposite of radical is superficial; the opposite of liberal is stingy; the opposite of conservative is destructive. Thus I will describe myself as a radical conservative liberal; but certain of the tainted red fish will swear that there can be no such fish as that. Beware of those who use words to mean their opposites. At the same time have pity on them, for usually this trick is their only stock in trade. But do not pity them overly, it is your own death and your soul's death that they work by their deception.
There are certain men who are sacrosanct in history; you touch on the truth of them at your peril. These are such men as Socrates and Plato, Pericles and Alexander, Caesar and Augustus, Marcus Aurelius and Trajan, Martel and Charlemagne, Edward the Confessor and William of Falaise, St. Louis and Richard and Tancred, Erasmus and Bacon, Galileo and Newton, Voltaire and Rousseau, Harvey and Darwin, Nelson and Wellington. In America, Penn and Franklin, Jefferson and Jackson and Lee. There are men better than these who are not sacrosanct, who may be challenged freely. But these men may not be. Albert Pike has been elevated to this sacrosanct company, though of course to a minor rank. To challenge his rank is to be overwhelmed by a torrent of abuse, and we challenge him completely.
Looks are important to these elevated. Albert Pike looked like Michelangelo's Moses in contrived frontier costume. Who could distrust that big man with the great beard and flowing hair and godly glance?
If you dislike the man and the type, then he was pompous, empty, provincial and temporal, dishonest, and murderous. But if you like the man and the type, then he was impressive, untrammeled, a man of the right place and moment, flexible or sophisticated, and firm.
These are the two sides of the same handful of coins.
He stole (diverted) Indian funds and used them to bribe doubtful Indian leaders. He ordered massacres of women and children (exemplary punitive operations). He lied like a trooper (he was a trooper). He effected assassinations (removal of semi-military obstructions). He forged names to treaties (astute frontier politics). He was part of a weird plot by men of both the North and South to extinguish the Indians whoever should win the war (devotion to the ideal of national growth ) . He personally arranged twelve separate civil wars among the Indians (the removal of the unfit) . After all, those were war years; and he did look like Moses, and perhaps he sounded like him.
But we are all Goths, for all that, whoever we are; which is to say, Outlanders. And like the Goth Sarus we still owe loyalty to an Empire, but we no longer know of what the Empire consists. We are still bound by the statement of Stilicho that the highest duty in the World is the proper ordering of the World. There will be, and are, other worlds; and perhaps it is not a terrible thing that a world should end. But we are still in admiration at the great corpse of it.
The art of story-telling has not been declining from the beginning. It has been declining for only about twelve thousand years. One reason for the decline is a dietary deficiency: the scarcity of Wooly Rhinoceros Meat and of Dire Wolf Meat. And the other reason is the disappearance of good places where good stories may be told.
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Perfection is nearly always impossible, but it is never difficult. Which is to say that if there is any difficulty to it, any lack of ease, then it has already failed of perfection. All perfect things are easy. But they are not frequent.
The married life of Charles Peisson and Dotty was perfect. From the moment that Charles returned to town, everything was perfect. The mark of perfection is its very simplicity. Charles had a knack for untying knots, for resolving difficulties. The knack does not consist of ignoring the difficulties nor in skirting them. It doesn’t even consist of facing them and conquering them in the old copy-book fashion, though apparently they are faced and conquered in another fashion. Or some of them are never conquered at all. Part of the idea is just not to be difficult about difficulties.
If the rest of the idea were understood, then everyone would have perfection; and they do not.
Paul was coursing at fantastic speed towards the area where the little twin stars Rhium and Antirhium revolved around each other. “Hurry,” were his instructions; “they seem of no consequence, but they are the governor of the universe. Somebody is tampering with them.” Paul continued at his impossible speed and arrived at the area. He saw something that nobody had ever seen before, for nobody had ever been so close to them. The two small stars that revolved around each other were, joined together by a long steel chain. It was that which held them in their tight rapid orbits; it was that which made them the governor of the universe. Paul quickly located the trouble. There was a small green creature, with the body of .a monkey and the head of a gargoyle, cutting the chain with a hack-saw, and he had it near cut in two. “Pray that I be not too late!”
Paul prayed, and he believed he had made it when the sawyer-broke a blade. But he quickly replaced it with another, stuck his green tongue out at Paul, took three more strokes with the hack-saw, and the chain broke. Then Rhium and Antirhium swung out of their tight orbits, and the whole universe was out of control with its governor broken. Fifty billion billion stars went nova, and then blacked out to nothing. The universe had eaten itself and was gone forever. “I told you to hurry!” the space captain told Paul furiously as he came barreling up. Then the space captain’s face melted like wax and he was gone. “I did hurry,” Paul said. Then his own face melted like wax and he was gone also.
“Is it quite finished?” came the voice of old hawk-face Fabian Foreman. “If it is quite finished, then perhaps we can begin to construct a new universe. It’s all right. It worked out well. I meant you to be too late.
Alien monsters were pleasant and funny. One early and almost forgotten piece of history tells that Adam, in addition to naming all the sub-lunar creatures, also named the nine hundred and ninety-nine species of creatures who had their homes and nests above the moon, on other moons or trabants or asteroids or planets. And after they were named, the super-lunary creatures went back to their own places, with friendly memories of Earth, the ‘naming place’. So we do have nine hundred and ninety-nine alien species, monstrous but friendly, waiting to meet us again.