Both Shah Rukh and Aamir have taught me a lot. I used to be their fan. I had seen all their movies. Once I had even taken Aamir's autograph! Then all of a sudden, I was facing the camera with him! The way these two looked after me and saw me through my initial scenes is something I can never forget.
Indian film actress
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Getting up at odd hours to catch flights. I hate the long hours of waiting. There are times when one is continuously travelling, from one city to another, hopping from one studio to another or changing from one costume to another. It is annoying, but after a point, one learns to be immune to one’s surroundings.
I am in the profession of acting and so to suit the character I sometimes have to indulge in kissing and provocative scenes. I have never felt comfortable shooting for kissing sequences. Although, kissing scenes like the ones in Yuva with Abhishek Bachchan and in Hum Tum with Saif were shot in an aesthetic manner. I am still pretty much uncomfortable performing such scenes.
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Yes. Women characters are once again assuming significance in films. Karan Johar, Sanjay Bhansali and Yash uncle conceive wonderful women characters. In the ’50s and ’60s, Bimal Roy and Guru Duttji wrote beautiful roles for heroines. You couldn’t take your eyes off a close-up of Waheedaji, Nargisji, Nutanji or Meenaji. Times are changing again. The Bhansali-shot close-ups of Ash and Madhuri in Devdas were awesome.
It would be very unfair to compare "Black" with any other film. I can't do a role of a handicapped person. It'd look like a carryover of "Black". Every film is a new experience for me. I respect my work too much to act superior about other films. "Black" is a kind of film that comes once in a lifetime. Even Sanjay [Leela Bhansali] can't make it again.