From then on, Matilda would visit the library only once a week in order to take out new books and return the old ones. Her own small bedroom now became her reading-room and there she would sit and read most afternoons, often with a mug of hot chocolate beside her. She was not quite tall enough to reach things around in the kitchen, but she kept a small box in the outhouse which she brought in and stood on in order to get whatever she wanted. Mostly it was hot chocolate she made, warming the milk in a saucepan on the stove before mixing it. Occasionally she made Bovril or Ovaltine. It was pleasant to take a hot drink up to her room and have it beside her as she sat in her silent room reading in the empty house in the afternoons. The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She traveled all over the world while sitting in her little room in an English village.

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One of the vital things for a writer who’s writing a book, which is a lengthy project and is going to take about a year, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you are writing it for a year, you go away and you have to come back. I never come back to a blank page; I always finish about halfway through. To be confronted with a blank page is not very nice. But Hemingway, a great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, “When you are going good, stop writing.” And that means that if everything’s going well and you know exactly where the end of the chapter’s going to go and you know just what the people are going to do, you don’t go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don’t want to come back because you don’t know where you want to go. But if you stop when you are going good, as Hemingway said…then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can’t wait to get back because you know what you want to say next and that’s lovely and you have to try and do that. Every time, every day all the way through the year. If you stop when you are stuck, then you are in trouble!

Down vith children! Do them in!
Boil their bones and fry their skin!
Bish them, sqvish them, bash them, mash them!
Brrreak them, shake them, slash them, smash them!
Offer chocs vith magic powder!
Say “Eat up!” then say it louder.
Crrram them full of sticky eats,
Send them home still guzzling sveets.
And in the morning little fools
Go marching off to separate schools.
A girl feels sick and goes all pale.
She yells, “Hey look! I've grrrown a tail!”
A boy who's standing next to her
Screams, “Help! I think I'm grrrowing fur!”
Another shouts, “Vee look like frrreaks!
There's viskers growing on our cheeks!”
A boy who vos extremely tall
Cries out, “Vot's wrong? I'm grrrowing small!”
Four tiny legs begin to sprrrout
From everybody rrround about.
And all at vunce, all in a trrrice,
There are no children! Only MICE!

I find that the only way to make my characters really interesting is to exaggerate all their good or bad qualities and so if a person is nasty or bad or cruel, you make them very nasty and very bad and very cruel. And if they're ugly, you make them extremely ugly. That I think is fun and makes an impact.

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