Robert E. Howard Quotes

Fool that I was to trust a Frenchman!

It was a convulsion of obscenity, a spasm of lasciviousness – an exudation of secret hungers framed by compulsion: desire without pleasure, pain mated awfully to lust. It was like watching a soul stripped naked, and all its dark and unmentionable secrets laid bare.

Poor devils, they'll wake up in hell without knowing how they got there.

Whence came Natohk?” rose the Shemite’s vibrant whisper. “Out of the desert on a night when the world was blind and wild with mad clouds driven in frenzied flight across the shuddering stars, and the howling of the wind was mingled with the shrieking of the spirits of the wastes. Vampires were abroad that night, witches rode naked on the wind, and werewolves howled across the wilderness. On a black camel he came, riding like the wind, and an unholy fire played about him, the cloven tracks of the camel glowed in the darkness. When Natohk dismounted before Set’s shrine by the oasis of Aphaka, the beast swept into the night and vanished. And I have talked with tribesmen who swore that it suddenly spread gigantic wings and rushed upward into the clouds, leaving a trail of fire behind it. No man has seen that camel since that night, but a black brutish man-like shape shambles to Natohk’s tent and gibbers to him in the blackness before dawn. I will tell you, Conan, Natohk is – look, I will show you an image of what I saw that day by Shushan when the wind blew aside his veil!

I mean my characters are more like men than these real men are, see. They’re rough and rude, they got hands and they got bellies. They hate and they lust; break the skin of civilization and you find the ape, roaring and red-handed.

The moon rose, striking fire from the Cimmerian's horned helmet. No call awoke the echoes; yet suddenly the night grew tense and the jungle held its breath. Instinctively Conan loosened the great sword in its sheath.

Silence lay like a white shroud over all. Kane wrenched his dirk clear and a trickle of seeping blood followed sluggishly, then ceased. The Puritan mechanically swished the blade through the air to shake off the red drops which clung to the steel, and as it flashed in the lanthorn light, it seemed to Jack Hollinster to glitter like a blue flame—a flame which had been quenched in scarlet.

He shrugged his shoulders. "I have known many gods. He who denies them is as blind as he who trusts them too deeply. I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and priests and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content."

Don’t you think that as a people, Americans have less poetry, real poetry, in their souls than any other nations?

When my fictional characters can’t slash and slog and litter the pages with one another’s carcasses, I’m an utter flop as a tale-spinner.

Conan mentally termed the creatures black men, for lack of a better term; instinctively he knew that these tall ebony beings were not men, as he understood the term.

One objection I have heard voiced to works of this kind—dealing with Texas—is the amount of gore spilled across the pages. It can not be otherwise. In order to write a realistic and true history of any part of the Southwest, one must narrate such things, even at the risk of monotony.

All fled — all done, so lift me on the pyre — The Feast is over, and the lamps expire.

"The little poets sing of little things:
Hope, cheer, and faith, small queens and puppet kings;
Lovers who kissed and then were made as one,
And modest flowers waving in the sun.

The mighty poets write in blood and tears
And agony that, flame-like, bites and sears.
They reach their mad blind hands into the night,
To plumb abysses dead to human sight;
To drag from gulfs where lunacy lies curled,
Mad, monstrous nightmare shapes to blast the world.


MUSINGS


[click on the thumbnail by Jack "King" Kirby]"

The heat and cruelty of the tropics play queer tricks. Ordinary passions become monstrous things; irritation runs to a berserker rage; anger flames into unexpected madness and men killed in a red mist of passion, and wonder, aghast, afterward.