Everything looks better at a distance. If you made it up, you have to live it down. Everything is compost. There is no they — only us. It’s a mistake to believe everything you think. You can get used to anything. Sometimes things are just as bad as they seem. It helps if you always have somebody to kiss goodnight.
American writer
Robert Fulghum (born 4 June 1937) is an American author, primarily of short essays. He has worked as a Unitarian minister, artist, teacher and was a founding member of the authors' collective rock-and-roll band, the "Rock Bottom Remainders". He came to prominence when his first essay collection, All I Really Need to Know I Learned in Kindergarten (1986), stayed on the New York Times bestseller lists for nearly two years.
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The four of us are talking dancing, and laughing, and recalling the joys of being out on the floor and having that timeless feeling that comes from being caught up in the music. "Nobody should miss that," says Dave. On the face of it, Dave's family and I don't have a lot in common. They're Mormons and Republicans. I'm a Unitarian and a Democrat. When Dave was on the County Council, we were on different sides of some important issues. I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But . . . we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world. And if you love something, like dancing, and you pass it on, like Dave and his wife do, you've been very useful by my standards. Dancing is a lifetime, equal opportunity sport.
And I will never drive by Dave's garage again without having the finest feelings for the man and his wife and mother who are inside taking good care of their corner of this world. They've added an important dimension to the lives of the young people of their town — that lightness of being that belongs to dancers.
A six-year-old will not understand that “By and large it has been demonstrated that violence is counterproductive to the constructive interaction of persons and societies.” True. But a child can better understand that the rule out in the world and in the school is the same: Don’t hit people. Bad things happen. The child must understand this rule is connected to the first rule: People won’t share or play fair if you hit them.
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I know what I really want for Christmas.
I want my childhood back.
Nobody is going to give me that. I might give at least the memory of it to myself if I try. I know it doesn't make sense, but since when is Christmas about sense, anyway? It is about a child, of long ago and far away, and it is about the child of now. In you and me. Waiting behind the door of or hearts for something wonderful to happen. A child who is impractical, unrealistic, simpleminded and terribly vulnerable to joy.
I do not want to know what you will hope for. I want to know what you will work for. I do not want your sympathy for the needs of humanity. I want your muscle. As the wagon driver said when they came to a long, hard hill: ‘Them that’s going on with us, get out and push. Them that ain’t, get out of the way’.
I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art. I've never had a commercial show in a gallery. I suppose I'm like those who write poetry or songs without seeking publication. I make art in and for the experience itself — to satisfy a need to express myself in a creative, colorful, non-verbal way.