I do not want to know what you will hope for. I want to know what you will work for. I do not want your sympathy for the needs of humanity. I want your muscle. As the wagon driver said when they came to a long, hard hill: ‘Them that’s going on with us, get out and push. Them that ain’t, get out of the way’.
American writer
Robert Fulghum (born 4 June 1937) is an American author, primarily of short essays. He has worked as a Unitarian minister, artist, teacher and was a founding member of the authors' collective rock-and-roll band, the "Rock Bottom Remainders". He came to prominence when his first essay collection, All I Really Need to Know I Learned in Kindergarten (1986), stayed on the New York Times bestseller lists for nearly two years.
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Alternative Names:
Robert Lee Fulghum
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I am a fragment of a mirror whose whole design and shape I do not know. Nevertheless, with what I have - I can reflect light into the dark places of this world - into the black places in the hearts of men - and change somethings in some people. Perhaps others may see and do likewise. This is what I am about. This is the meaning of my life.
One of life's best coping mechanisms is to know the difference between an inconvenience and a problem. If you break your neck, if you have nothing to eat, if your house is on fire, then you've got a problem. Everything else is an inconvenience. Life is inconvenient. Life is lumpy. A lump in the oatmeal, a lump in the throat and a lump in the breast are not the same kind of lump. One needs to learn the difference.
Quotes
One of the very few reasons I had any respect for my mother when I was thirteen was because she would reach into the sink with her bare hands - bare hands - and pick up that lethal gunk and drop it into the garbage. To top that, I saw her reach into the wet garbage bag and fish around in there looking for a lost teaspoon. Bare hands - a kind of mad courage.
"There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains — southeastern Utah. A particular tree. A juniper. Large for its species — maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life.
I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it — toward continuing to be, come what may."
"Alla fine, dopo aver lottato contro tutto ciò che avrei dovuto fare diversamente, se avessi saputo allora quello che so adesso, posso dare finalmente una risposta al seguente quesito: "Se potessi rivivere daccapo la tua vita, cosa faresti?" Dopo un'attenta riflessione sono giunto alla conclusione che rifarei tutto quello che ho fatto."