I could never aspire to Syd's crazed insights and perceptions. In fact for a long time I wouldn't have dreamt of claiming any insights whatsoever. I'll always credit Syd with the connection he made between his personal unconscious and the collective group unconscious. It's taken me 15 years to get anywhere near there. Even though he was clearly out of control when making his two solo albums, some of the work is staggeringly evocative. It's the humanity of it all that's so impressive. It's about deeply felt values and beliefs. Maybe that's what 'Dark Side of the Moon' was aspiring to. A similar feeling."

They like a bomb-proof Cadillac
Air-conditioned, gold taps
Back-seat gun rack, Platinum hub caps
They pick horses for courses
They're the market forces
They like order, make-up, limelight, power
Game shows, rodeos, Star Wars, TV
They're The Powers That Be
If you see them come, you better run

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I think that happiness resides somewhere between the extremes of personal, religious, and political. I think happiness resides where we understand someone else's point of view and needs. Happiness resides where we are not lost in the solitary dream."

You [Christian Wakeford] were making s*** up because you were told to by your masters in the Foreign Office in Tel Aviv because of this hate.
This hate is being organised from Israel. And I’m not afraid to say it because I know Christian Wakeford, that what I'm saying is not a lie.

Oh, they [the media] definitely don't want to know the real Barrett story... there are no facts involved in the Barrett story so they can make up any story they like, and they do. There's a vague basis in fact: Syd was in the band and he did write the material on the first album, 80% of it, but that's all. It is only that one album, and that's what people don't realise. That first album, and one track on the second. That's all; nothing else.

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And the Germans killed the Jews
And the Jews killed the Arabs
And the Arabs killed the hostages
And that is the news
And is it any wonder
That the monkey's confused
He said Mama Mama
The President's a fool
Why do I have to keep reading
These technical manuals?"

The monkey sat on a pile of stone
And he stared at the broken bone in his hand
Strains of a Viennese quartet rang out across the land
The monkey looked up at the stars
And he thought to himself
Memory is a stranger
History is for fools
And he cleaned his hands in a pool of holy writing
Turned his back on the garden and set out for the nearest town"

I used to think the world was flat Rarely threw my hat into the crowd I felt I had used up my quota of yearning Used to look in on the children at night In the glow of their Donald Duck light And frighten myself with the thought of my little ones burning But ooh, the tide is turning The tide is turning.

Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records. So, when I left Pink Floyd, I guess I had two, no three choices open to me: Not to do it anymore, which is daft as I was writing songs, although I suppose I could have written for other people, but I like making records; so I could either do it as Roger Waters or I could have got together with other people and said hey, why don't we start a band? But my view of bands had been jaundiced slightly by my previous experience, so I think that was something I never considered.

When we grew up and went to school
There were certain teachers who
Would hurt the children in any way they could.
By pouring their derision
upon anything we did
Exposing every weakness
However carefully hidden by the kid.
But in the town it was well known
When they got home at night
Their fat and psychopathic wives
Would thrash them within inches of their lives!