In 1960 I had made the transition from thrower to pitcher and had not understood that in making the transition I had made a beginning, not an end. you become a pitcher before you become a good pitcher. [...] Nor do I wish to testify under oath that I have not forgotten, do not—and will not—forget from time to time and revert to the wayward ways of my youth. It's usually when I'm tired or mad, but dumbness is not to be completely discounted either. In the 1965 All-Star Game I was terribly wild. I came into the game in the sixth inning and immediately threw seven straight balls. Although I got out of the inning, it was a struggle with every batter. [...] There was not a thing wrong with my arm. My arm was fine. My head was something else again. Knowing that I was only going to pitch an inning or two, I had thought, "Well, hell, I'll just go in and throw as hard as I can." And there I was, right back where I'd been ten years ago, wild high.

What do I strive for? Well, I go out there with the idea of shooting for a no-hit game. When the first hit is made off me, I then try to keep them or any runs scored down to a minimum. The main idea is to win. As to strikeouts, yes. I am proud of my records. I'm not out there trying to blow down every hitter. There are too many smart ones in the league. I want to get them out first, strike them out if I can.

Roberto Clemente hit an outside fastball that was still rising when it hit against the light tower in left center field, 450 feet away from home plate. And on a 1-2 pitch at that. But there is no such thing as a good pitch to Clemente. Ask me how to pitch to Clemente, and I will tell you with complete confidence, "How do I know?" Roberto can hit any pitch, anywhere, at any time. He'll hit pitchouts, he'll hit brush-back pitches. He'll hit high, inside pitches deep to the opposite field, which would be ridiculous even if he didn't do it with both feet off the ground.

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I was known for my fastball and curve and did well with just those two pitches, but people don't know that I tried to add a third pitch, any third pitch. For a long time, I tried to learn the changeup. The Dodgers taught the changeup in a certain way - it was the Dodgers' changeup - and I tried to learn it for ten years but never got the hang of it. I never liked my changeup, and I never wanted to throw it. One day, I was playing catch and started to fool around with the forkball, and it felt more comfortable to me. I said, "Well, I'm gonna try this instead of the changeup." So I started to throw it, but I only used it occasionally in games, because I didn't throw it hard enough.I also threw the slider a couple of times. I threw the slider to Henry Aaron and Roberto Clemente, because I figured if it worked on those two great hitters, then I had something there. So I threw it to Aaron and almost hit him in the face. He reached out to get it, and it came right at him. And I threw it to Clemente. You may remember that in Forbes Field in Pittsburgh, there was a light tower by where they used to park the batting cage. Halfway up. there was a bunch of transformers. Well, Clemente hit it off a transformer. I said, "Well, maybe I don't have a slider," and I gave it up. So, I never came up with a third pitch.

You know what happens? Somebody writes a story 10 years ago and it never changes. If the guy 10 years ago was wrong, the stories are gonna be wrong for 20 years afterward. [...] They used to annoy me a lot more, but now I've begun to feel they're going to be written, there's nothing I can do about it and I'm not going to worry about it. Sometimes things don't come out the way you say them. You run into one of those reporters who's more interested in the dictionary and the very good usage of the English language, and he thinks that when says cool it means cold. But you can't let it annoy you.