Arnold Hano Quotes

I’m the luckiest fan in the history of the world. When I was a copy boy at the Daily News, I was sitting in the Ebbets Field press box when that ball got away from Mickey Owen. I won a limerick contest and I sat in right field and watched pitch his perfect game. Now, I had to be smart to write the limerick, but Larsen had been bombed in the previous outing in that Series, he could’ve been bombed again. It could’ve been an 11–9 ballgame.

Is there a solution? Probably not. Yet there is a glimmer of hope, and on my last days here, I offer it to you, gratis. Incorporate every township and village in the county. Take them out of the county's jurisdiction. Give the county supervisors nothing to do. They do it so well; why deprive them?

Nobody ever wrote so well so fast as Jim. One year he wrote, and we published, nine novels. It was an obsession. Back in 1941, his father had been in an asylum in Oklahoma City, begging Jim to get him out. Jim needed money to get him out, so he said to his father, "Give me a month, and I'll raise the money." His father brightened, because Jim never went back on his word. Jim took a bus to New York City and went door to door to the publishing houses, asking for money for a hotel room, a rented typewriter and meals so he could write a novel. Finally, at Modern Age, they took a chance, and in 10 days he wrote a novel. But things being what they are in publishing, it was a month plus one day before Jim got his advance. The same day, a telegram arrived. His father had committed suicide, ripping the excelsior out of his mattress and stuffing it down his throat. When Jim would drink he would sometimes cry and say, "Why couldn't he have waited another day? Didn't he trust me?"

He had made one of the greatest catches in Polo Grounds history; he had played third base as no Giant before or since ever played it; he was a slashing hitter and a scientific hitter; he played baseball with courage and spirit. Yet, somehow, failure hovered about him; a pebble in a base line is remembered more than his 24-game hitting streak; his feud with McGraw is recalled more vividly than his 4 hits in a single game against Walter Johnson or the three times he made three hits in a single game all the same season. His spat with Hornsby and his disagreement with Terry come more quickly to mind than those five years he tore pitchers apart; more quickly to mind than the years he hit .358 and .379. It ought not to be that way. Two pebbles in a base line can cause a team to lose a World Series, but they can't wipe out the dazzling years, the .311 lifetime average. Two pebbles ought not persuade baseball men to say Devlin or Groh or Herzog, but somehow they do. So we put Lindstrom here, on this greatest Giant team, and we put the pebbles back where they belong—as part of a rocky past that littered his way, but in no way diminished the greatness of Fred Lindstrom.

On the last Sunday in September in smoggy Los Angeles, announcer Vin Scully riffed through some notes as Willie McCovey came to bat for the last time that season before the Chavez Ravine folks. "Let's see," said Scully, "no home runs since September 11. . . .Well, it's been a long season. McCovey's got to be tired. Big as he is, he's probably worn out." So Scully was looking down at his papers when he heard the familiar crack. Worn-out Willie had just driven the ball over the right field fence, over the bullpen, and into Glendale. Scully did not see the pitch McCovey hit. It had been a palm ball lobbed up by Pete Mikkelson, the kind of pitch that floats up like a dead flounder, and usually goes about as far as dead flounders fly when you hit one. If you hit one. This one traveled a couple of miles or more, and Willie McCovey had home run number 45, to break his tie with Hank Aaron and win for McCovey his second consecutive National League home-run title.

All the great people and great things in life are failures. It is in doing what we cannot do but must try to do that humans rise to their exalted fulfillment. Maglie had tried to do with an old man’s arm and back what a young man might not have been able to do as well. Of such failures is greatness made.

Nolan Ryan is simply a flame-thrower. They call him The Express. Get it? Ryan's Express. Harmon Killebrew says if he ever gets hit by Ryan's express, he'll have the pitcher arrested for manslaughter. Oakland slugger Reggie Jackson says Ryan is the only pitcher he's afraid of, down-deep-in-the-guts afraid of. "If a pitch ever gets away from him, he will kill someone." Nolan Ryan pitches for the California Angels, in Anaheim, which you also wouldn't confuse with New York. Thus, few people really know what an exciting young man this is, perhaps the most exciting single performer in baseball today. Yes, I've heard of Hank Aaron. For years I beat the drums, by myself, for Roberto Clemente. I like the cool gall of Vida Blue, the hot moxie of Pete Rose. They all excite me. But not down deep in the guts, the way this kid does. He excites me. He frightens me. He puts me on that double-pronged fork of attraction and revulsion. When you watch Nolan Ryan rear and throw that screaming blur of white toward the plate, you don't know whether to watch or cover your eyes. Will he strike out the hitter, or will he strike him dead?

Jim Dilley, the father of the Laguna Greenbelt, used to take roses to the secretaries of the county Board of Supervisors when he'd go to do battle over open space with the secretaries' bosses. Jim Dilley was a nice man, kind and gentle. He smoked a pipe. His eyes twinkled as though he knew a joke the rest of us didn't. But he's dead, and the Board is still alive, and that is a joke on us of monstrous proportions. I'm not nice, kind or gentle. The Board keeps rubber-stamping building permits, and this is my goodbye to these shores. After 36 years, my wife and I will soon leave Orange County for Costa Rica, to join the Peace Corps, and that, too, is a joke. We traipse off to bring peace to Costa Rica, which hasn't had an army since 1948.

When he died, he held fourteen baseball records, a little man with a bashful smile, a silken swing, baseball's legendary nice guy. His death was the worst that could have happened to baseball, but his playing career had been the best.

He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back home in Puerto Rico. Clemente reacts to things bitterly because he is an honest man, and a feeling one. Baseball has become a game of automatons performing in mechanical ways. Scoreboards now tell you when to cheer. The words "Go-go-go" light up, and you obediently recite, "Go-go-go." A bugle sounds, and reflexively you murmur, "Charge!" Roberto Clemente is a throwback, as are many of his Latin cohorts—which means he has his flaws. Anger can twist him almost helpless with rage. But it has also made him not only a leader of men—automatons are poor leaders—but also a spokesman for his people. He spoke out, during 1966, in an Associated Press dispatch of August 23...

The impregnability of his stonewall defense rested on his ability to reach the ball, and then throw it. Now he could move less well; now he was not coming up with the ball with that "perfect technique" Eddie Brannick had once admired, his body beautifully balanced, the ball directly in front of him. Now it was a movement full of desperate lunges. Fortunately he had his great arm, so even off-balance, he was throwing out runners, and each time he'd throw—though it had happened hundreds of prior times—the fans at the Polo Grounds, or elsewhere around the league, would gasp at the low blur that streaked across the diamond, dead on target. But he had more than a powerful arm. He had courage. And on he played, in pain and out.

So we went to see Babe Ruth pitch the last game of the 1933 season. The Senators had already clinched the pennant, the Giants had clinched in the other league, so this was just a nothing game. I thought maybe he’d make an appearance, pitch an inning or two or three – he pitched a complete game. He hadn’t pitched a complete game since 1930, and then he pitched a complete game. And before that he had pitched two four-inning stints for the Yankees, so he pitched four times. So he pitched a complete game, he gave up twelve hits, it was not a great pitching performance, but the Yankees won, 7-5. He didn’t strike out a soul. Years later I saw him on Broadway. I went up to him and said, “Hi, Babe.” He said, “Hi, kid.” That’s the way he treated everybody. I said, “You know, I saw you pitch your last game at the Stadium.” This was maybe eight years later or so. I said, “How come you didn’t strike out anybody?” And he said, “I wanted those other eight guys to earn their money!” And that was Ruth.

The huge church is burrowed into ancient mountains. By elevator you rise up through the mountain to the foot of a giant cross that soars nearly 500 feet into an intense blue sky, its arms spreading 300 feet. The four Evangelists who crouched at the base are 28 feet high, carved out of stone. All Spain comes to the Valley of the Fallen for its moment of meditation. It is a wondrous work, but it never lets you forget that it marks one of man's most ghastly works—war. But war—like all pain—is soon forgotten. New generations are born. And in you see families together, voluble, chattering, touching each other, husbands, wives, children. They smile at each other, and at you. And you smile back. For that is the true Madrid. It embraces you. It loves you. Soon, you love it back.

A myth has it that in the Texas League some years back, Billy Williams hit a line drive so hard it broke the leg of a rival first baseman. The myth is total nonsense. Williams actually hit a one-bounce ground shot that broke the leg of a rival second baseman. When Billy Williams sets the record straight, he laughs, and tiny white lights glitter in his black eyes, like the tips of icepicks. You know," he says, "nobody likes to hurt anybody. But you have to think I hit that ball pretty good." This is the Billy Williams laugh. It is not a friendly laugh. It is the laugh of an arrogant hitter. Stan Musial used to giggle that way, and no one would confuse it with a girlish giggle. Ted Williams used to grin that way when he talked about hitting. Not a friendly grin; a wicked grin. That is Billy Williams' laugh. It is probably the way the legendary Billy the Kid laughed before he killed a man. Cold as the tip of an icepick. Not that Billy Williams is not a friendly man. He is. Very. He is one of the nicest guys in baseball. But he knows how to separate the two—nice guy, big league hitter.

He always threw to the right base. We say that about most outfielders. Ruth always threw to the right base. DiMaggio always threw to the right base. The others maybe did, maybe didn’t. Mays most of the time threw to the right base, but Ruth always threw to the right base.