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" "McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today—the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.
Arnold Philip Hano ((March 2, 1922 – October 24, 2021) was an American editor, novelist, biographer and journalist, best known for his non-fiction work, A Day in the Bleachers, a critically acclaimed eyewitness account of Game 1 of the 1954 World Series, centered around its pivotal play, Willie Mays' famous catch and throw.
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Sometimes in his last years they’d take him out after maybe seven innings and put in Sammy Byrd or some other right fielder for defensive purposes because he was getting pretty out of shape. And we kids, we knew better, we knew the rule, but we’d yell “We want the Babe! We want the Babe!” from the seventh inning until the ninth inning. Once in a while he’d come out of the dugout and he’d lift up his cap or do something like that. We knew he couldn’t come back into the lineup, but that didn’t stop us. That’s the way we were. We loved him, and he loved us, which was very nice. A great combination. I’d see him in his great polo coat on Broadway sometimes, with his jaunty cap, and his wife and daughter walking along. He was just wonderful.
On the last Sunday in September in smoggy Los Angeles, announcer Vin Scully riffed through some notes as Willie McCovey came to bat for the last time that season before the Chavez Ravine folks. "Let's see," said Scully, "no home runs since September 11. . . .Well, it's been a long season. McCovey's got to be tired. Big as he is, he's probably worn out." So Scully was looking down at his papers when he heard the familiar crack. Worn-out Willie had just driven the ball over the right field fence, over the bullpen, and into Glendale. Scully did not see the pitch McCovey hit. It had been a palm ball lobbed up by Pete Mikkelson, the kind of pitch that floats up like a dead flounder, and usually goes about as far as dead flounders fly when you hit one. If you hit one. This one traveled a couple of miles or more, and Willie McCovey had home run number 45, to break his tie with Hank Aaron and win for McCovey his second consecutive National League home-run title.
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Mantle played ball almost under a shroud of depression, because he always thought he was going to die an early death. But Mays probably thinks he's going to live forever. Mantle acted like a man who was doomed. Mays never did, even though he played long beyond his ability. I talked to Willie after the 1973 World Series, in which he looked terrible. I said, "What were you doing out there, Willie?" "Oh, I was having fun!" he told me. Mantle never had fun. Mays, on the other hand, seemed to be inoculated from all the pressure. He simply went beyond the usual frames of reference. If I were writing this, I'd say that he went beyond the usual frames of reverence. That's the way we all felt, and I think it was true for not only the press, but also for managers and other players. And this bled into the other pages of the newspaper.