American writer
Arnold Philip Hano ((March 2, 1922 – October 24, 2021) was an American editor, novelist, biographer and journalist, best known for his non-fiction work, A Day in the Bleachers, a critically acclaimed eyewitness account of Game 1 of the 1954 World Series, centered around its pivotal play, Willie Mays' famous catch and throw.
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Jim Dilley, the father of the Laguna Greenbelt, used to take roses to the secretaries of the county Board of Supervisors when he'd go to do battle over open space with the secretaries' bosses. Jim Dilley was a nice man, kind and gentle. He smoked a pipe. His eyes twinkled as though he knew a joke the rest of us didn't. But he's dead, and the Board is still alive, and that is a joke on us of monstrous proportions. I'm not nice, kind or gentle. The Board keeps rubber-stamping building permits, and this is my goodbye to these shores. After 36 years, my wife and I will soon leave Orange County for Costa Rica, to join the Peace Corps, and that, too, is a joke. We traipse off to bring peace to Costa Rica, which hasn't had an army since 1948.
Alfie was an organizer. He would telephone the other kids a week before that first practice session (which he euphemistically called spring training), and he would knock on their doors the morning of, and they would look out the windows and say, "Hey, it's snowing," and he would say, "It's not snowing all that hard. See you in a half-hour." So we would gather our tired, cold bodies together, throw on our baseball clothes—old shirts, old pants, sneakers, old baseball gloves—and grab a couple of bats and scuffed-up balls, and we would pile onto the subway and ride to Van Cortland Park. We would run to make sure we'd be first to claim a ball field. Of course we were first. Nobody else was that crazy. My brother would direct practice for a couple of hours, batting practice, catching fungoes, fielding, practicing our curves and drops on the sidelines, fingers aching from contact with batted or thrown baseballs. We threw ourselves across that hard bone of a field so we would be ready when the spring suns finally thawed the ground at our feet. If the still-awake dreams of hunting lions in Africa were the peak moments of my night life, those frozen ball fields of February were the highlights of my days.
Jim Thompson. Dead 14 years next month. The Academy Awards are upon us, and as I write this, I do not know what's been nominated for what. But I have a hunch this is the year of Thompson. I believe somebody famous will stand there to thank God and Swifty Lazar, if you can tell the difference, and then with a stifled sob, add a special thanks to Jim Thompson. And people will stand and cheer his name. I only hope Alberta is right, and that Jimmy hears the applause. But I doubt it. Jim Thompson stories seldom have happy endings.
Jim was a big sheepdog of a man, 6-feet-4, 250 pounds, softhearted, soft-spoken. I never heard him use a dirty word; I never heard him tell a salacious story. Yet his novels are full of such words and stories; he seemed to have a need to dig deeply into the dark depraved nature of man. Nobody did it better. But then, anything he did, he did better. Two years ago, crippled by strokes, he appeared in a film, "Farewell, My Lovely," playing the cuckolded judge. When his wife in the film, played by Charlotte Rampling, carries on with Robert Mitchum in front of him, there is a look on his face that is part bewilderment, part despair and all forgiveness. He was that way, turning up the dark corners of the soul with love and forgiveness.
Nobody ever wrote so well so fast as Jim. One year he wrote, and we published, nine novels. It was an obsession. Back in 1941, his father had been in an asylum in Oklahoma City, begging Jim to get him out. Jim needed money to get him out, so he said to his father, "Give me a month, and I'll raise the money." His father brightened, because Jim never went back on his word. Jim took a bus to New York City and went door to door to the publishing houses, asking for money for a hotel room, a rented typewriter and meals so he could write a novel. Finally, at Modern Age, they took a chance, and in 10 days he wrote a novel. But things being what they are in publishing, it was a month plus one day before Jim got his advance. The same day, a telegram arrived. His father had committed suicide, ripping the excelsior out of his mattress and stuffing it down his throat. When Jim would drink he would sometimes cry and say, "Why couldn't he have waited another day? Didn't he trust me?"
"It was not always so," he said slowly. "When I was a boy—stealing horses was not a crime. It was the way of a brave man, a warrior. Horses then served the purposes of the tribe." He could tell them more, but what he could tell them would perhaps disgust them, confuse them. He had told them enough. Tomacito could have told how Indian tribes rode horses, and when the horses grew old and useless, or when the tribe grew desperate for hunger or for shelter, they drank their horses' blood, stripped their hides for teepees, ate the flesh. Cruel, yes, but necessary. They bought horses, traded for horses, and if they had to—and often they had to—they stole horses. The Spaniards came, and then the white man, and they had horses, and the Indians had none, in the beginning. The white man and the Spaniard, on horses, chased the Indian from his own land. The Indians, on foot, were easy to chase, to hunt down, and kill. With horses, the Indians could stand and fight and die, or run and hide and live a little longer. It was an unfair fight from the start, even with horses, but without horses, it wasn't a fight at all. It was a massacre.
Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.
You have seen bigger horses than his thirteen and a half, perhaps fourteen hands, his nine hundred pounds. You have seen handsomer profiles than this Roman nose, slightly convex. Burrs cling to his long sweeping tail. His coat is dark and unglossed. Yet look again, while he is still, for he will not be still long. Sense the vitality in those muscles, trembling beneath the skin; see the pride in that high head, hear the haughty command to his voice. For this is a wild horse, my friend. Once he claimed the western range. Then they took his range away from him. But nothing, no one claims him. He feels the wind and the air with his nose, with his ears, with his very soul, and what he feels is good. He tosses his head, once, quickly, and behind him his harem of six mares trot up to join him, and behind them, a yearling colt, a filly and two stork-legged foals. Coats dusty and chewed, tails spiked with bits of the desert, sage and nettle and leftover pine needles from winter climbs down from timberland. The Barb-nosed stallion led his family down to the waterhole. Not Barb from barbed wire, though perhaps the chewed skin was from barbed wire, but Barb from the Spanish horses from which he descended, brought to the New World over four hundred years ago, from the Barbary states of North Africa, Tunisia, Morocco, Algeria, Fez, Tripoli. Indians stole them from the Spaniards; the Barbs stole themselves free from the Indians. Running wild, a few still run free.
The huge church is burrowed into ancient mountains. By elevator you rise up through the mountain to the foot of a giant cross that soars nearly 500 feet into an intense blue sky, its arms spreading 300 feet. The four Evangelists who crouched at the base are 28 feet high, carved out of stone. All Spain comes to the Valley of the Fallen for its moment of meditation. It is a wondrous work, but it never lets you forget that it marks one of man's most ghastly works—war. But war—like all pain—is soon forgotten. New generations are born. And in you see families together, voluble, chattering, touching each other, husbands, wives, children. They smile at each other, and at you. And you smile back. For that is the true Madrid. It embraces you. It loves you. Soon, you love it back.
He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back home in Puerto Rico. Clemente reacts to things bitterly because he is an honest man, and a feeling one. Baseball has become a game of automatons performing in mechanical ways. Scoreboards now tell you when to cheer. The words "Go-go-go" light up, and you obediently recite, "Go-go-go." A bugle sounds, and reflexively you murmur, "Charge!" Roberto Clemente is a throwback, as are many of his Latin cohorts—which means he has his flaws. Anger can twist him almost helpless with rage. But it has also made him not only a leader of men—automatons are poor leaders—but also a spokesman for his people. He spoke out, during 1966, in an Associated Press dispatch of August 23...
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All the great people and great things in life are failures. It is in doing what we cannot do but must try to do that humans rise to their exalted fulfillment. Maglie had tried to do with an old man’s arm and back what a young man might not have been able to do as well. Of such failures is greatness made.
She snorted. My wife has three ways of showing disapproval. She harangues loud and long when she is not very sure of her position. Or she may be entirely silent when she is terribly sure. This is usually an act of kindness on her part, as though she were dealing with a dumb animal. Or, lastly, she may snort. This means, I have at last learned, that she disagrees, that she thinks I am a dumb animal, and by God, kindness can go just so far.
I’m the luckiest fan in the history of the world. When I was a copy boy at the Daily News, I was sitting in the Ebbets Field press box when that ball got away from Mickey Owen. I won a limerick contest and I sat in right field and watched pitch his perfect game. Now, I had to be smart to write the limerick, but Larsen had been bombed in the previous outing in that Series, he could’ve been bombed again. It could’ve been an 11–9 ballgame.
Sometimes in his last years they’d take him out after maybe seven innings and put in Sammy Byrd or some other right fielder for defensive purposes because he was getting pretty out of shape. And we kids, we knew better, we knew the rule, but we’d yell “We want the Babe! We want the Babe!” from the seventh inning until the ninth inning. Once in a while he’d come out of the dugout and he’d lift up his cap or do something like that. We knew he couldn’t come back into the lineup, but that didn’t stop us. That’s the way we were. We loved him, and he loved us, which was very nice. A great combination. I’d see him in his great polo coat on Broadway sometimes, with his jaunty cap, and his wife and daughter walking along. He was just wonderful.