Jim Dilley, the father of the Laguna Greenbelt, used to take roses to the secretaries of the county Board of Supervisors when he'd go to do battle ov… - Arnold Hano

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Jim Dilley, the father of the Laguna Greenbelt, used to take roses to the secretaries of the county Board of Supervisors when he'd go to do battle over open space with the secretaries' bosses. Jim Dilley was a nice man, kind and gentle. He smoked a pipe. His eyes twinkled as though he knew a joke the rest of us didn't. But he's dead, and the Board is still alive, and that is a joke on us of monstrous proportions. I'm not nice, kind or gentle. The Board keeps rubber-stamping building permits, and this is my goodbye to these shores. After 36 years, my wife and I will soon leave Orange County for Costa Rica, to join the Peace Corps, and that, too, is a joke. We traipse off to bring peace to Costa Rica, which hasn't had an army since 1948.

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About Arnold Hano

Arnold Philip Hano ((March 2, 1922 – October 24, 2021) was an American editor, novelist, biographer and journalist, best known for his non-fiction work, A Day in the Bleachers, a critically acclaimed eyewitness account of Game 1 of the 1954 World Series, centered around its pivotal play, Willie Mays' famous catch and throw.

Also Known As

Alternative Names: Gil Dodge Matthew Gant Ad Gordon Mike Heller

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Additional quotes by Arnold Hano

Jim was a big sheepdog of a man, 6-feet-4, 250 pounds, softhearted, soft-spoken. I never heard him use a dirty word; I never heard him tell a salacious story. Yet his novels are full of such words and stories; he seemed to have a need to dig deeply into the dark depraved nature of man. Nobody did it better. But then, anything he did, he did better. Two years ago, crippled by strokes, he appeared in a film, "Farewell, My Lovely," playing the cuckolded judge. When his wife in the film, played by Charlotte Rampling, carries on with Robert Mitchum in front of him, there is a look on his face that is part bewilderment, part despair and all forgiveness. He was that way, turning up the dark corners of the soul with love and forgiveness.

"It was not always so," he said slowly. "When I was a boy—stealing horses was not a crime. It was the way of a brave man, a warrior. Horses then served the purposes of the tribe." He could tell them more, but what he could tell them would perhaps disgust them, confuse them. He had told them enough. Tomacito could have told how Indian tribes rode horses, and when the horses grew old and useless, or when the tribe grew desperate for hunger or for shelter, they drank their horses' blood, stripped their hides for teepees, ate the flesh. Cruel, yes, but necessary. They bought horses, traded for horses, and if they had to—and often they had to—they stole horses. The Spaniards came, and then the white man, and they had horses, and the Indians had none, in the beginning. The white man and the Spaniard, on horses, chased the Indian from his own land. The Indians, on foot, were easy to chase, to hunt down, and kill. With horses, the Indians could stand and fight and die, or run and hide and live a little longer. It was an unfair fight from the start, even with horses, but without horses, it wasn't a fight at all. It was a massacre.

Now it was Liddle, jerking into motion as Wertz poised at the plate, and then the motion smoothed out and the ball came sweeping in to Wertz, a shoulder-high pitch, a fast ball that probably would have been a fast curve, except that Wertz was coming around and hitting it, hitting it about as hard as I have ever seen ball hit, on a high line to dead center field. For whatever it is worth, I have seen such hitters as Babe Ruth, Lou Gehrig, Ted Williams, Jimmy Foxx, Ralph Kiner, Hack Wilson, Johnny Mize, and lesser-known but equally long hitters as Wally Berger and Bob Seeds send the batted ball tremendous distances. None, that I recall, ever hit a ball any harder than this one by Wertz in my presence.

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