He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back hom… - Arnold Hano

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He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back home in Puerto Rico. Clemente reacts to things bitterly because he is an honest man, and a feeling one. Baseball has become a game of automatons performing in mechanical ways. Scoreboards now tell you when to cheer. The words "Go-go-go" light up, and you obediently recite, "Go-go-go." A bugle sounds, and reflexively you murmur, "Charge!" Roberto Clemente is a throwback, as are many of his Latin cohorts—which means he has his flaws. Anger can twist him almost helpless with rage. But it has also made him not only a leader of men—automatons are poor leaders—but also a spokesman for his people. He spoke out, during 1966, in an Associated Press dispatch of August 23...

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About Arnold Hano

Arnold Philip Hano ((March 2, 1922 – October 24, 2021) was an American editor, novelist, biographer and journalist, best known for his non-fiction work, A Day in the Bleachers, a critically acclaimed eyewitness account of Game 1 of the 1954 World Series, centered around its pivotal play, Willie Mays' famous catch and throw.

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Alternative Names: Gil Dodge Matthew Gant Ad Gordon Mike Heller
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The huge church is burrowed into ancient mountains. By elevator you rise up through the mountain to the foot of a giant cross that soars nearly 500 feet into an intense blue sky, its arms spreading 300 feet. The four Evangelists who crouched at the base are 28 feet high, carved out of stone. All Spain comes to the Valley of the Fallen for its moment of meditation. It is a wondrous work, but it never lets you forget that it marks one of man's most ghastly works—war. But war—like all pain—is soon forgotten. New generations are born. And in you see families together, voluble, chattering, touching each other, husbands, wives, children. They smile at each other, and at you. And you smile back. For that is the true Madrid. It embraces you. It loves you. Soon, you love it back.

You have seen bigger horses than his thirteen and a half, perhaps fourteen hands, his nine hundred pounds. You have seen handsomer profiles than this Roman nose, slightly convex. Burrs cling to his long sweeping tail. His coat is dark and unglossed. Yet look again, while he is still, for he will not be still long. Sense the vitality in those muscles, trembling beneath the skin; see the pride in that high head, hear the haughty command to his voice. For this is a wild horse, my friend. Once he claimed the western range. Then they took his range away from him. But nothing, no one claims him. He feels the wind and the air with his nose, with his ears, with his very soul, and what he feels is good. He tosses his head, once, quickly, and behind him his harem of six mares trot up to join him, and behind them, a yearling colt, a filly and two stork-legged foals. Coats dusty and chewed, tails spiked with bits of the desert, sage and nettle and leftover pine needles from winter climbs down from timberland. The Barb-nosed stallion led his family down to the waterhole. Not Barb from barbed wire, though perhaps the chewed skin was from barbed wire, but Barb from the Spanish horses from which he descended, brought to the New World over four hundred years ago, from the Barbary states of North Africa, Tunisia, Morocco, Algeria, Fez, Tripoli. Indians stole them from the Spaniards; the Barbs stole themselves free from the Indians. Running wild, a few still run free.

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