Jim Dilley, the father of the Laguna Greenbelt, used to take roses to the secretaries of the county Board of Supervisors when he'd go to do battle over open space with the secretaries' bosses. Jim Dilley was a nice man, kind and gentle. He smoked a pipe. His eyes twinkled as though he knew a joke the rest of us didn't. But he's dead, and the Board is still alive, and that is a joke on us of monstrous proportions. I'm not nice, kind or gentle. The Board keeps rubber-stamping building permits, and this is my goodbye to these shores. After 36 years, my wife and I will soon leave Orange County for Costa Rica, to join the Peace Corps, and that, too, is a joke. We traipse off to bring peace to Costa Rica, which hasn't had an army since 1948.
American writer
Arnold Philip Hano ((March 2, 1922 – October 24, 2021) was an American editor, novelist, biographer and journalist, best known for his non-fiction work, A Day in the Bleachers, a critically acclaimed eyewitness account of Game 1 of the 1954 World Series, centered around its pivotal play, Willie Mays' famous catch and throw.
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Alternative Names:
Gil Dodge
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Matthew Gant
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Ad Gordon
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Mike Heller
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So we went to see Babe Ruth pitch the last game of the 1933 season. The Senators had already clinched the pennant, the Giants had clinched in the other league, so this was just a nothing game. I thought maybe he’d make an appearance, pitch an inning or two or three – he pitched a complete game. He hadn’t pitched a complete game since 1930, and then he pitched a complete game. And before that he had pitched two four-inning stints for the Yankees, so he pitched four times. So he pitched a complete game, he gave up twelve hits, it was not a great pitching performance, but the Yankees won, 7-5. He didn’t strike out a soul. Years later I saw him on Broadway. I went up to him and said, “Hi, Babe.” He said, “Hi, kid.” That’s the way he treated everybody. I said, “You know, I saw you pitch your last game at the Stadium.” This was maybe eight years later or so. I said, “How come you didn’t strike out anybody?” And he said, “I wanted those other eight guys to earn their money!” And that was Ruth.
Finally Jones came in with a blinding fastball, the way Sad Sam used to throw ’em, and Clemente unloaded. The wind was blowing in from left field that day, and blowing hard. This was 1960, remember, before the fences had been moved in, and nobody was hitting home runs at Candlestick. Not Mays, not Cepeda, not anybody. Clemente’s bat hit the ball, and the result absolutely clubbed the crowd into awed silence for a long moment. Right into that wet whipping wind the ball carried. Right on through, hit 120 feet high in a long soaring majestic parabola that came down finally over 450 feet away. There is just no way of telling how far Clemente’s home run blast would have traveled had it not been for that wind. Suffice it to say partisan Giant fans suddenly broke their shell-shocked silence and let loose a gagantic roar. For two innings the stadium buzzed. For days the Giants talked about it. Even today if you slip up behind a Giant pitcher and suddenly whisper in his ear: ‘Remember the home run Clemente hit?’ he’s likely to jump as high as if he’d been caught putting spit on baseballs.
Click. The spare camera was now focussed and working. The lead mare—Barb Nose's—saw the drop. She cut her stride and wheeled and ran along the dangerous edge. Barb Nose ran in the vanguard, protecting the rear, driving the foals ahead of him. Blaze Face had long since cut and run, taking his beaten stallion flesh off to be nursed, to wait for another day, another elder to challenge. The other mares expertly and instinctively followed the leader as she rimmed the mesa, heading for the foothills of the El Gatos. One foal, too, made the cut, on stick-like legs, frightened but blindly following. The second foal had truly been blinded by panic. He strode to the drop-off and never stopped. He was a wild horse, and he had to run, and now he would run free forever. Plunging headlong over the drop, body whirling, his legs still flailing, as he fell through the desert air and past the serrated rock walls of the mesa, he knew nothing of time. He knew nothing of the eons that had gone before him, building this mesa of bluff and sandstone and archean rock. He fell through layers of time, to timelessness, a living thing for so little time. Once a living work of art, now a broken artifact. One foal. Dead. Murdered by man. Murdered by time. The drumbeat of the earth was lessened by one horse's tiny hooves. And all of us were lessened by this new silence. Click.
He had made one of the greatest catches in Polo Grounds history; he had played third base as no Giant before or since ever played it; he was a slashing hitter and a scientific hitter; he played baseball with courage and spirit. Yet, somehow, failure hovered about him; a pebble in a base line is remembered more than his 24-game hitting streak; his feud with McGraw is recalled more vividly than his 4 hits in a single game against Walter Johnson or the three times he made three hits in a single game all the same season. His spat with Hornsby and his disagreement with Terry come more quickly to mind than those five years he tore pitchers apart; more quickly to mind than the years he hit .358 and .379. It ought not to be that way. Two pebbles in a base line can cause a team to lose a World Series, but they can't wipe out the dazzling years, the .311 lifetime average. Two pebbles ought not persuade baseball men to say Devlin or Groh or Herzog, but somehow they do. So we put Lindstrom here, on this greatest Giant team, and we put the pebbles back where they belong—as part of a rocky past that littered his way, but in no way diminished the greatness of Fred Lindstrom.
I enjoyed that interview. He's a guy who not only says what he means but backs it up, too. I'll never forget the night I interviewed him. It was a rainy night at his house in L.A. and I kept looking outside on the lawn. He had this big black Doberman he called Rommel, and it sat out there in the rain eating a chaise lounge.
He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back home in Puerto Rico. Clemente reacts to things bitterly because he is an honest man, and a feeling one. Baseball has become a game of automatons performing in mechanical ways. Scoreboards now tell you when to cheer. The words "Go-go-go" light up, and you obediently recite, "Go-go-go." A bugle sounds, and reflexively you murmur, "Charge!" Roberto Clemente is a throwback, as are many of his Latin cohorts—which means he has his flaws. Anger can twist him almost helpless with rage. But it has also made him not only a leader of men—automatons are poor leaders—but also a spokesman for his people. He spoke out, during 1966, in an Associated Press dispatch of August 23...
Mantle played ball almost under a shroud of depression, because he always thought he was going to die an early death. But Mays probably thinks he's going to live forever. Mantle acted like a man who was doomed. Mays never did, even though he played long beyond his ability. I talked to Willie after the 1973 World Series, in which he looked terrible. I said, "What were you doing out there, Willie?" "Oh, I was having fun!" he told me. Mantle never had fun. Mays, on the other hand, seemed to be inoculated from all the pressure. He simply went beyond the usual frames of reference. If I were writing this, I'd say that he went beyond the usual frames of reverence. That's the way we all felt, and I think it was true for not only the press, but also for managers and other players. And this bled into the other pages of the newspaper.
One day I saw the combative Giants shortstop Billy Jurges confront umpire George Magerkurth, on a call Jurges violently objected to, the two men standing jaw to jaw, raging invective at each other. A faint spray of saliva emitted from Magerkurth's mouth; Jurges stepped back and uncorked his own oyster of spittle, right in the umpire's face. Magerkurth slugged Jurges, who slugged him back, and the two men rolled on the infield grass, clawing at each other until they were pried apart. Jurges, of course, was tossed out of the game and suspended for a spell, his place at shortstop taken over by the mild-mannered prematurely gray utility infielder, Lou Chiozza. The very next day, Chiozza ran out to short left field, chasing a pop fly, while in rushed Joe Moore, from his left field post. The result was a noisy collision, which sent Chiozza to the hospital, marking the first and only time one player's spittle had broken another player's leg.
Alfie was an organizer. He would telephone the other kids a week before that first practice session (which he euphemistically called spring training), and he would knock on their doors the morning of, and they would look out the windows and say, "Hey, it's snowing," and he would say, "It's not snowing all that hard. See you in a half-hour." So we would gather our tired, cold bodies together, throw on our baseball clothes—old shirts, old pants, sneakers, old baseball gloves—and grab a couple of bats and scuffed-up balls, and we would pile onto the subway and ride to Van Cortland Park. We would run to make sure we'd be first to claim a ball field. Of course we were first. Nobody else was that crazy. My brother would direct practice for a couple of hours, batting practice, catching fungoes, fielding, practicing our curves and drops on the sidelines, fingers aching from contact with batted or thrown baseballs. We threw ourselves across that hard bone of a field so we would be ready when the spring suns finally thawed the ground at our feet. If the still-awake dreams of hunting lions in Africa were the peak moments of my night life, those frozen ball fields of February were the highlights of my days.
When he quit, he grew cotton down South, tinkered in real estate, owned an auto dealership, and made enough money so that once he tried to buy the Giants, and on other occasions tried to buy into the Dodgers and other clubs. Nothing ever came of it. He kept a hand in baseball, though. In 1955 he became president of the Sally League, and then there was the time he showed up for an old-timers' game at Yankee Stadium, Terry now over fifty years old, gray and more hunched than ever. It was surely an odd place to find this man who never got any fun out of baseball, as they say, but there he was, and at least he would go through the paces. He came to bat just once, and the pitch was inside, shoulder high. Terry, who held his bat at his shoulder, a motionless man at the plate, let loose his short, sweet stroke, and the ball was a blur, drilled on a long, high line into the upper deck of the Stadium, for a home run. Reporters never said whether Terry gave a little joyous leap or whether he clapped his hands or even smiled. But you know pride was like blood pounding through him.
I’m the luckiest fan in the history of the world. When I was a copy boy at the Daily News, I was sitting in the Ebbets Field press box when that ball got away from Mickey Owen. I won a limerick contest and I sat in right field and watched pitch his perfect game. Now, I had to be smart to write the limerick, but Larsen had been bombed in the previous outing in that Series, he could’ve been bombed again. It could’ve been an 11–9 ballgame.
Nobody ever wrote so well so fast as Jim. One year he wrote, and we published, nine novels. It was an obsession. Back in 1941, his father had been in an asylum in Oklahoma City, begging Jim to get him out. Jim needed money to get him out, so he said to his father, "Give me a month, and I'll raise the money." His father brightened, because Jim never went back on his word. Jim took a bus to New York City and went door to door to the publishing houses, asking for money for a hotel room, a rented typewriter and meals so he could write a novel. Finally, at Modern Age, they took a chance, and in 10 days he wrote a novel. But things being what they are in publishing, it was a month plus one day before Jim got his advance. The same day, a telegram arrived. His father had committed suicide, ripping the excelsior out of his mattress and stuffing it down his throat. When Jim would drink he would sometimes cry and say, "Why couldn't he have waited another day? Didn't he trust me?"
She snorted. My wife has three ways of showing disapproval. She harangues loud and long when she is not very sure of her position. Or she may be entirely silent when she is terribly sure. This is usually an act of kindness on her part, as though she were dealing with a dumb animal. Or, lastly, she may snort. This means, I have at last learned, that she disagrees, that she thinks I am a dumb animal, and by God, kindness can go just so far.