He was an actor of genius. There was no more overwhelming actor on the stage, in the motion pictures, nor even in the pulpit. He would whirl arms, bang tables, glare from mad eyes, vomit Biblical wrath from a gaping mouth; but he would also coo like a nursing mother, beseech like an aching lover, and in between tricks would coldly and almost contemptuously jab his crowds with figures and facts—figures and facts that were inescapable even when, as often happened, they were entirely incorrect.

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He explained that hatred was low. However, for the benefit of the more leathery and zealous deacons down front, he permitted them to hate all Catholics, all persons who failed to believe in hell and immersion, and all rich mortgage-holders, wantoning in the betraying smiles of scarlet women, each of whom wore silk and in her bejeweled hand held a ruby glass of perfidious wine.

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The content of his theology was that there was a supreme being who had tried to make us perfect, but presumably had failed; that if one was a Good Man he would go to a place called Heaven.... Upon this theology he rarely pondered. The kernel of his practical religion was that it was respectable, and beneficial to one's business, to be seen going to services; that the church kept the Worst Elements from being still worse; and that the pastor's sermons, however dull they might seem at the time of taking, yet had a voodooistic power which 'did a fellow good — kept him in touch with higher things.' ~ Ch. 16