Italian actress (born 1934)
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I was blessed with a sense of my own destiny. I have never sold myself short. I have never judged myself by other people’s standards. I have always expected a great deal of myself, and if I fail, I fail myself. So failure or reversal does not bring out resentment in me because I cannot blame others for any misfortune that befalls me.
I lived my life as best I could, hidden behind a thin yet sturdy veil of shyness. Yes, I know it’s hard to believe, but I was really shy, perhaps because of our situation: My father was absent, and my mother was too blond, too tall, too lively, and, above all, unmarried. Her eccentric, excessive beauty embarrassed me. She was a ragazza madre, a girl-mother, as the saying goes. I dreamed of a normal, reassuring mother, with black hair, a creased apron, her hands rough, and her eyes tired — like Mamma Luisa, whom I would find once again a few decades later in A Special Day, a movie in which I play a character named Antonietta, a devoted housewife and mother of six.
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As time passed there was no more buying food, no money, no supplies. On some days, we wouldn’t even have a crumb to eat. There’s a vivid scene in Nanni Loy’s The Four Days of Naples, a movie made after the war about the uprising of the Neapolitans against the occupying Germans, in which one of the young characters sinks his teeth into a loaf of bread so voraciously, so desperately, I can still identify with him. In those four famous days in late September, when Naples rose up against the Germans — even before the Allies arrived, it was the climax of a terrible period of deprivation and marked the beginning of the end of the war in Italy.