I love the idea that something would be whimsical, and like "delightful", you know, but also disgusting — so I like this sort of, you know, a really gnarly guitar — really gross, disgusting guitar and then a — really a whimsical... — it's one of those things you can only describe in sort of awkward hand gestures and eye motions. Imagine!

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I'm convinced that, as great as that record sounds, if you had anyone else sing it, you know, anyone else try to kind of weave and make it do that thing where it burns like wildfire and it comes alive, no one else could do it. It's incredible the way she kind of brings this cold arctic atmosphere, It's just like fire, you know? It's like all aaarh coming out of her mouth. … and now I'm listening to the song in my head. "Do you know what I really need? Do you know what I really need? I need lalalala yea yo yea yo your love."

The drug issue is hard to separate from a class issue, an education issue, a wonky foreign policy issue, and a race issue. What I do know is, be it caffeine, alcohol, cocaine, or adrenaline, let's face it: people like to get high. From Starbucks to Budweiser to your own brain, everybody's a pusher these days. If I could substitute another drug to be consumed in the country as much as alcohol is, it would be helium from children's birthday party balloons. Try not laughing when someone sounds like a chipmunk!

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The first thing I did when I picked up any instrument, when I was five years old, was write a song. It's kind of funny; I thought about it, statements that it's a "solo effort" — it's kind of like, "Oh, well I've been doing this since I was five." I was kind of doing this before I did anything else.