Stephen King Quotes

When you're twenty-one, life is a roadmap. It's only when you get to be twenty-five or so that you begin to suspect that you've been looking at the map upside down, and not until you're forty are you entirely sure. By the time you're sixty, take it from me, you're fucking lost.

When it comes to the past, everyone writes fiction.

Real terror is the most physically debilitating of emotions. It saps the endocrines, dumps muscle-tightening organic drugs into the bloodstream, races the heart, exhausts the mind.

A tragedy is a tragedy, and at the bottom, all tragedies are stupid. Give me a choice and I'll take A Midsummer Night's Dream over Hamlet every time. Any fool with steady hands and a working set of lungs can build up a house of cards and then blow it down, but it takes a genius to make people laugh.

Do you know how cruel your God can be, David? How fantastically cruel? ...Sometimes he makes us live.

I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read

To the public eye, the spouses of well-known writers are all but invisible, and no one knew it better than Lisey Landon. Her husband won the Pulitzer and the National Book Award, but Lisey had given one interview in her life. This was for the well-known women's magazine that publishes the column "Yes, I'm Married to Him!" She spent roughly half of its five hundred word length explaining that her nickname rhymed with "CeeCee". Most of the other half had to do with her recipe for slow-cooked roast beef. Lisey's sister Amanda said that the picture accompanying the interview made Lisey look fat. None of Lisey's sister were immune to the pleasures of setting the cat among the pigeons ("stirring up a stink" had been their father's phrase for it), or having a good natter about someone else's dirty laundry, but the only one Lisey had a hard time liking was this same Amanda. Eldest (and oddest) of the onetime Debusher girls of Lisbon Falls, Amanda currently lived alone, in a house which Lisey had provided, a small, weather-tight place not too far from Castle View where Lisey, Darla, and Cantata could keep a eye on her. Lisey had bought it for her seven years ago, five before Scott died. Died Young. Died Before His Time, as the saying was. Lisey still had trouble believing he'd been gone for two years. It seemed both longer and the blink of an eye.

The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish them - words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller, but for want of an understanding ear.

He knew the boy. They had shared each other the way good friends can't even after forty years of it. He knew the boy and the boy knew him, because they each had a kind of searchlight in their heads, something they hadn't asked for, something that had just been given.
(Naw, you got a flashlight, he the one with the searchlight.) And sometimes that light, that shine, seemed like a pretty nice thing. You could pick the horses, or like the boy had said, you could tell your daddy where his trunk was when it turned up missing. But that was only dressing, the sauce on the salad, and down below there was as much bitter vetch in that salad as there was cool cucumber. You could taste pain and death and tears. And now the boy was stuck in that place, and he would go. For the boy. Because, speaking to the boy, they had only been different colors when they used their mouths. So he would go. He would do what he could, because if he didn't, the boy was going to die right inside his head.
But because he was human he could not help a bitter wish that the cup had never been passed his way.

A child blind from birth doesn't even know he's blind until someone tells him. Even then he has only the most academic idea of what blindness is; only the formerly sighted have a real grip on the thing. Ben Hanscom had no sense of being lonely because he had never been anything but. If the condition had been new, or more localized, he might have understood, but loneliness both encompassed his life and overreached it.

The elevator doors slid shut behind him; there was a hum as it began to go up automatically. It wouldn't come down again unless somebody else keyed it, Starkey knew; as soon as the installation's integrity had been breached, the computers had switched all the elevators to the general containment program. Why were these poor men and women lying here? Obviously they had been hoping the computers would fuck up the switch-over to the emergency procedures. Why not? It even had a certain logic to it. Everything else had fucked up.

Time takes it all, whether you want it to or not.

He who speaks without an attentive ear is mute.

Swear to me swear to me that if it isn't dead you'll all come back.

I'm rightly tired of the pain I hear and feel, boss. I'm tired of bein on the road, lonely as a robin in the rain. Not never havin no buddy to go on with or tell me where we's comin from or goin to or why. I'm tired of people bein ugly to each other. It feels like pieces of glass in my head. I'm tired of all the times I've wanted to help and couldn't. I'm tired of bein in the dark. Mostly it's the pain. There's too much. If I could end it, I would. But I can't.