Hendrix has read the interviews where Collins has flatly denied knowing about Battle Royale before she wrote The Hunger Games. But Hendrix says the plots are eerily similar: school kids chosen by lottery, given a variety of weapons and survival packs and taken to a remote, restricted area to take part in a televised death match.

"One more time? For the audience?" he says. His voice wasn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.
I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I finally have to let go.

It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?
And now I know. It's because you have no choice.

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And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread.

Deep in the meadow, hidden far away
A cloak of leaves, a moonbeam ray
Forget your woes and let your troubles lay
And when again it's morning, they'll wash away. Here it's safe, here it's warm
Here the daisies guard you from every harm The final lines are barely audible. Here your dreams are sweet and tomorrow brings them true
Here is the place where I love you.

"Come on," says Cato. He thrusts a spear into the hands of the boy from District 3, and they head off in the direction of the fire. The last thing I hear as they enter the woods is Cato saying, "When we find her, I kill her in my own way, and no one interferes."
Somehow I don't think he's talking about Rue. She didn't drop a nest of tracker jackers on him.

I enter a nightmare from which I wake repeatedly only to find a greater terror awaiting me. All the things I dread most, all the things I dread for others manifest in such vivid detail I can’t help but believe they're real. Each time I wake, I think, At last, this is over, but it isn't. It's only the beginning of a new chapter of torture. How many ways do I watch Prim die? Relive my father's last moments? Feel my own body ripped apart? This is the nature of the tracker jacker venom, so carefully created to target the place where fear lives in your brain.

So, here's what you do. You win, you go home. She can't turn you down then, eh? says Caesar encouragingly. I don't think it's going to work out. Winning...won't help in my case, says Peeta. Why ever not? says Caesar, mystified. Peeta blushes beet red and stammers out. Because...because...she came here with me.