Most of the book is an anthropological exploration of human evolution, culminating in a chapter where the author argues that the development of culture (which he defines as a set of evolving environmental, intellectual, existential, social, and psychological characteristics) must run through state planning

In Towards a Changing Culture, he argues most clearly that a progressive secular culture should be built through coordination among state institutions, an overall strategy for cultural and economic development, faith in scientific development, freedom of choice, and a modern secular state

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The future of this cultural work—its continuity or its decline—hinges on the existence of a (political and cultural) national agreement between state and society on the fact that culture is a strategic necessity that cannot be delayed, partitioned or rely on individual or private initiative. It is, in short, institutional work, a state project worthy of a country with an ancient civilization established on a mindset shaped by the arts. This project represents a building operation for a people’s spirit, a nation’s conscience, an identity’s anchoring, and a revolution’s triumph over the advocates of obscurity and backwardness.

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...new Egypt will not come into being except from the ancient, eternal Egypt. I believe further that the new Egypt will have to be built on the great old one, and that the future of culture in Egypt will be an extension, a superior version, of the humble, exhausted, and feeble present.

Egypt has a culture which is international but which, at the same time, reflects the calm, eternal personality of ancient Egypt. It can nourish and enlighten other peoples and afford them a kind of pleasure which they may or may not be able to derive from their own cultures.