We do not wish, nor are we able, to break the link between ourselves and our forefathers. To the degree that we establish our future life upon our past and present we shall avoid most of the dangers caused by excesses and miscalculations deriving from illusions and dreams.

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Most of the book is an anthropological exploration of human evolution, culminating in a chapter where the author argues that the development of culture (which he defines as a set of evolving environmental, intellectual, existential, social, and psychological characteristics) must run through state planning

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The future of this cultural work—its continuity or its decline—hinges on the existence of a (political and cultural) national agreement between state and society on the fact that culture is a strategic necessity that cannot be delayed, partitioned or rely on individual or private initiative. It is, in short, institutional work, a state project worthy of a country with an ancient civilization established on a mindset shaped by the arts. This project represents a building operation for a people’s spirit, a nation’s conscience, an identity’s anchoring, and a revolution’s triumph over the advocates of obscurity and backwardness.

Egypt has a culture which is international but which, at the same time, reflects the calm, eternal personality of ancient Egypt. It can nourish and enlighten other peoples and afford them a kind of pleasure which they may or may not be able to derive from their own cultures.