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I'm not gonna be in this room when that jury walks in. I'm not going through this and you knew that, your honor. You know how far you can push me..... You wanna make a circus? You got a circus. [points to prosecutor] I'll rain on your parade Jack. You'll see a thunderstorm. This will not be the pat little drama you've arranged.

I don't know all of what you're speaking about Lucky [Severson, reporter interviewing him] it's too broad and I can't get into it in any detail. But I'm satisfied with my blanket statement that I'm innocent. No man is truly innocent. I mean we all have transgressed some way in our lives and as I say, I've been impolite and there are things I regret having done in my life but nothing like the things, I think, that you're referring to.

Those of use who are, who have been so much influenced by violence in the media, in particular pornographic violence, are not some kinds of inherent monsters. We are your sons and we are your husbands. And we grew up in regular families. And pornography can reach out and snatch a kid out of any house today. It snatched me out of my home twenty, thirty years ago.

...just like anybody else with an obsession, whether it be fishing, bowling or skiing, he has ways he can vicariously satisfy it. Maybe he is going to peep shows and reading detective magazines. I think there's an excellent chance that one way he gets off is by going to look at what they call the slasher films.

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You're like a fisherman who fishes for years and catches a small fish. Sometimes a medium fish. [You] get lucky and get a big fish. But you know that there's a real big fish under there that always gets away. You and your group are going to get a lot of serial killers and they're going to help you. But with the real good ones, the only way you're going to know what goes on under the water is to go under the water. The fisherman drowns going underwater. But I can take you there without drowning. If I trust you. And if I decide.

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...this guy is responsible for twenty or thirty more deaths at least, and there's a certain aspect of possessiveness in that. I think that's one way of describing it in rather bland terms, a possessiveness where the corpse could easily be as important as the live victim, in some respects. I mean, it's that physical possession and ownership, a taking, if you will, that is just part of the syndrome. I think that sense of power and ownership is one of the reasons why I think in some cases—not all, certainly—is why I think he might be individually intending to return to the scene to either view his victim, or in fact, interact with the body in some way.

One of the things that makes it a little bit difficult is that at this point she was quite lucid, talking about things. It’s not funny, but it’s odd the kinds of things people will say under those circumstances. And she said that she had a Spanish test the next day, and she thought that I had taken her to help tutor her for her Spanish test. It’s kind of an odd thing to say. Anyway.

.....murder is not just a crime of lust or violence. It becomes possession. They are part of you … [the victim] becomes a part of you, and you [two] are forever one … and the grounds where you kill them or leave them become sacred to you, and you will always be drawn back to them.