Homère est un des génies qui résolvent ce beau problème de l’art, le plus beau de tous peut-être, la peinture vraie de l’humanité obtenue par le grandissement de l’homme, c’est-à-dire la génération du réel dans l’idéal.

Throughout the month of May, every night, in that poor, wild garden, under that shrubbery, each day, more perfumed and dense, two human beings composed of every chastity and every innocence, every flowing with all the felicities of Heaven, closer to archangels than men, pure, honest, intoxicated, radiant, glowed for each other in the darkness. It seemed to Cosette that Marius had a crown, and to Marius that Cosette had a halo. They touched, they gazed at each other, they clasped hands, they pressed close together, but there was a distance they did not pass. Not that they respected it; they were ignorant of it. Marius felt a barrier, Cosette’s purity, and Cosette felt a support, Marius’ loyalty. The first kiss was also the last. Since then, Marius had not gone beyond touching Cosette’s hand, or her scarf, or her curls, with his lips. Cosette was to him a perfume, not a woman. He breathed her. She refused nothing, and he asked nothing. Cosette was happy, and Marius was satisfied. They were living in that ravishing condition that might be called the dazzling of one soul by another. It was that ineffable first embrace of two virginities within the ideal. Two swans meeting on the Jung Frau.

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And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb — on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost — climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold! — for it seems at times, as though the ear also possessed a sight of its own, — behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations.

Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.

At the side of Enjolras, who represented the logic of revolution, was Combeferre, representing its philosophy. The difference between logic and philosophy is that one can decide upon war, whereas the other can only be fulfilled by peace.