French novelist, poet, dramatist and politician (1802–1885)
Victor Marie Hugo (26 February 1802 – 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement, widely esteemed as one of the greatest of French writers and poets.
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Alternative Names:
Victor Marie Hugo
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Homme océan
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Ocean Man
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Victor-Marie Hugo
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From this tribune, incessantly vibrating, gushed forth perpetually a sort of sonorous flood, a mighty oscillation of sentiments and ideas, which, from billow to billow, and from people to people, flowed to the utmost confines of the earth, to set in motion those intelligent waves which are called souls. Book V, V
O my country! it is at this moment, when I see you bleeding, inanimate, your head hanging, your eyes closed, your mouth open, and no words issuing therefrom, the marks of the whip upon your shoulders, the nails of the executioner's shoes imprinted upon your body, naked and ashamed, and like a thing deprived of life, an object of hatred, of derision, alas! it is at this moment, my country, that the heart of the exile overflows with love and respect for you! Conclusion, Part Second, II
When the nettle is young, the leaves make excellent greens; when it grows old it has filaments and fibers like hemp and flax. Cloth made from the nettle is as good as that made from hemp. Chopped up, the nettle is good for poultry; pounded, it is good for horned cattle. The seed of the nettle mixed with the fodder of animals gives a luster to their skin; the root, mixed with salt, produces a beautiful yellow dye. It makes, however, excellent hay, as it can be cut twice in a season. And what does the nettle need? very little soil, no care, no culture; except that the seeds fall as fast as they ripen, and it is difficult to gather them; that is all. If we would take a little pains, the nettle would be useful; we neglect it, and it becomes harmful. Then we kill it. How much men are like the nettle! My friends, remember this, that there are no weeds, and no worthless men, there are only bad farmers.
They guillotined Charlotte Corday and they said Marat is dead. No, Marat is not dead. Put him in the Pantheon or throw him in the sewer; it doesn’t matter-he’s back the next day. He’s reborn in the man who has no job, the woman who has no bread, in the girl who has to sell her body, in the child who hasn’t learned to read; he’s reborn in the unheated tenement, in the wretched mattress without blankets, in the unemployed, in the proletariat, in the brothel, in the jailhouse, in your laws that show no pity, in your schools that give no future, and he appears in all that is ignorance and he recreates himself from all that is darkness. Oh, beware human society: you cannot kill Marat until you have killed the misery of poverty!