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The best articles about Vincent Gallo were written by Vincent Gallo, the best acting performance of Vincent Gallo was directed and edited by Vincent Gallo from a screenplay written by Vincent Gallo, even the best photographs of Vincent Gallo were taken by Vincent Gallo.

I'm not a career filmmaker and by that I'm not tearing down people who are, but I'm not Wes Anderson who can rent out a floor at the Chateau Marmont for a month to write my new screenplay--I have a life outside of filmmaking and after Buffalo '66, I genuinely thought I was done with making movies. But they pulled me back in. This Brown Bunny, it had something in it for me that I just had to say. I had to express it, it was in me and it ate its way out of me. I wished that it didn't, but it did and I was surprised to find myself shooting again.

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Listening to nasty remarks about me or my work doesn’t feel good. I don’t enjoy being unpopular, however in order to think freely, I must be willing to risk being unpopular. To think, I must risk being offensive. Anyway, most people are not listening but instead projecting.

I'm not really a collage artist like Quentin Tarantino or Wes Anderson. I'm not like those other guys, Spike Jonze, too, guys who watch things and take notes. I'm trapped in my own stubborn world over-and-over, looking for a similar insight, a similar aesthetic, a similar point of view.

I've only had three idols in my life. Johnny Unitas, the quarterback for the Colts, Richard Nixon, and Chris Squire, the bass player for Yes-Squire being my number one. My love, fascination and devotion for Chris Squire is deep. The pain of my whole childhood was sedated by listening to Yes, King Crimson, and Genesis records. And now here I am, 25 years later, and my Yes obsession is the only thing I haven't outgrown.